{"title":"More Than $7000","description":"","products":[{"product_id":"kathleen-petyarre-arnkerrthe-mountain-devil-lizard","title":"KATHLEEN PETYARRE - Arnkerrthe","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cb data-mce-fragment=\"1\"\u003eKATHLEEN PETYARRE\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTITLE: ARNKERRTHE\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb data-mce-fragment=\"1\"\u003eACRYLIC ON LINEN\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb data-mce-fragment=\"1\"\u003e98CM X 105CM\u003c\/b\u003e\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cb data-mce-fragment=\"1\"\u003eKATHLEEN HAS SIGNED THE PAINTING AND A PHOTO WILL BE PROVIDED\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eREF#KP21\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDOB: 1940s - 2018.  Utopia   Northern Territory\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb data-mce-fragment=\"1\"\u003eLanguage: Eastern Anmatyerre\u003c\/b\u003e\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDreaming’s: My Country, Bush Seeds, Arnkerrthe (Thorny Devil Lizard\/Mountain Devil Lizard) , Women’s Hunting, Emu\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cb data-mce-fragment=\"1\"\u003eKathleen is one of Australia’s most prominent artists. Considered one of the Top 50 most Collectable Artists in Australia by the Australian Art Collector Magazine. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cb data-mce-fragment=\"1\"\u003eShe is one of the affectionately named; ‘Petyarre Sisters’ which includes; Jean Petyarre, Ada Bird Petyarre, Gloria Petyarre, Nancy Petyarre, Violet Petyarre, Myrtle Petyarre who are all talented, sought-after indigenous artists. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cb data-mce-fragment=\"1\"\u003eKathleen’s paintings are related to her ancestral country and the dreaming’s passed down to her including women’s hunting, gathering of bush seeds, emu, dingo, and Thorny Devil Lizard\/Mountain Devil Lizard. Her sisters paintings of the Thorny Devil are related to the appearance of the lizard whereas Kathleen's paintings are related to the Lizards journey across her \u003cstrong data-mce-fragment=\"1\"\u003eancestral\u003c\/strong\u003e lands. \u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb data-mce-fragment=\"1\"\u003eKathleen was also a prominent Aboriginal activist who helped claim the freehold title of Utopia to the traditional owners in 1979. \u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb data-mce-fragment=\"1\"\u003eSadly, Kathleen passed away in 2018.\u003c\/b\u003e\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cbr\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eIn Aboriginal Culture, when a person is deceased they not use the person’s name and or photos (any digital images) are not to be used. Out of respect we do not have any images of Kathleen online. However, we have used her name as it would be very difficult to list the painting with no name attached.\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cb data-mce-fragment=\"1\"\u003eT\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003ehis painting was purchased directly from Kathleen and a gallery certificate of authenticity will be provided with the sale.\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"KATHLEEN PETYARRE","offers":[{"title":"98CM X 105CM","offer_id":41580442026029,"sku":"KP21","price":7550.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/files\/remake_of_KP21_2026.jpg?v=1778053911"},{"product_id":"gloria-petyarre-bush-medicine","title":"GLORIA TAMERRE PETYARRE - Bush Medicine","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cb\u003eGLORIA TAMERRE PETYARRE \u003c\/b\u003e\u003c\/h2\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cb\u003eTITLE: BUSH MEDICINE\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003eACRYLIC ON CANVAS\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003e43CM X 151CM\u003c\/b\u003e\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cb\u003eGLORIA HAS SIGNED THE PAINTING AND A PHOTO WILL BE PROVIDED\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cb\u003eREF#GP24\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003eDOB: 1945-2021.  Utopia   Northern Territory\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003eKnown as: Gloria Petyarre, Gloria Pitjara, Gloria Tamerre Petyarre\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003eLanguage: Anmatyerre\u003c\/b\u003e\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cb\u003eDreaming’s: Leaves, Bush Medicine leaves, Grass seeds, Pencil Yam, Awelye (women’s ceremony and body paint designs), Arnkerrthe (Mountain or Thorny Devil Lizard) and Aknangkere \u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin-bottom: 8pt; line-height: 115%; text-align: center;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eGloria Petyarre was one of the most important artists to come out of Utopia, the Anmatyerre and Alyawarr homelands about 270km north-east of Alice Springs. She was born there around 1945, spoke Anmatyerre, and her Country is Aknangkere.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 8pt; line-height: 115%; text-align: center;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eShe was one of the seven Petyarre sisters, alongside Ada Bird, Jean, Kathleen, Myrtle, Nancy and Violet, in a family that has produced some of the most collected work in Aboriginal art. Gloria started out in the Utopia women's batik group in the late 1970s and moved to painting on canvas in 1988, her early work growing out of Awelye, the women's ceremonial body paint.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 8pt; line-height: 115%; text-align: center;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eShe is best known for her Bush Medicine Leaves paintings, where the leaves drift and swirl across the canvas as though caught in the wind. In 1999 she won the Wynne Prize for landscape at the Art Gallery of New South Wales for one of these works, the first Aboriginal artist to take out that award. She passed away in June 2021.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"border-width: medium medium 1pt; border-style: none none solid; border-color: currentcolor currentcolor rgb(221, 221, 221); padding: 0cm 0cm 4pt; text-align: center;\"\u003e\n\u003cp style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAwards and commissions\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1999\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eWinner, Wynne Prize for landscape, Art Gallery of New South Wales, the first Aboriginal artist to win it\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2004\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eHighly Commended, Wynne Prize, Art Gallery of New South Wales\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eFinalist in the Wynne Prize in later years, and in the National Aboriginal and Torres Strait Islander Art Awards in Darwin\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2009\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eCommissioned by Hermès, the first Australian artist the house had worked with, her Leaves design produced as a silk scarf titled Le Rêve de Gloria\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1993\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eDesigned a pair of tapestries woven by the Victorian Tapestry Workshop in Melbourne, now the Australian Tapestry Workshop\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1992 to 1993\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eCreated a forty foot mural with her husband Ronnie Price Mpetyane at the entrance to the Australian exhibit at the Kansas City Zoo, which won an American Institute of Architects award in 1994\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"border-width: medium medium 1pt; border-style: none none solid; border-color: currentcolor currentcolor rgb(221, 221, 221); padding: 0cm 0cm 4pt; text-align: center;\"\u003e\n\u003cp style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNotable exhibitions\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1990 to 1991\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eUtopia: A Picture Story, touring Ireland, London and India as well as Adelaide and Melbourne, with Gloria travelling as a representative of the Utopia women\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1991\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eAboriginal Women’s Exhibition, Art Gallery of New South Wales, touring\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eUtopia Body Paint: Art from Australia’s Central Desert, touring twelve venues across North America\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eExhibited at the National Gallery of Australia, Canberra\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"border-width: medium medium 1pt; border-style: none none solid; border-color: currentcolor currentcolor rgb(221, 221, 221); padding: 0cm 0cm 4pt; text-align: center;\"\u003e\n\u003cp style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eCollections\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNational Gallery of Australia\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eArt Gallery of New South Wales (seven works)\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNational Gallery of Victoria\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eArt Gallery of South Australia\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eQueensland Art Gallery\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eMuseum and Art Gallery of the Northern Territory\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eKluge-Ruhe Aboriginal Art Collection, University of Virginia\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSeattle Art Museum\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThe Holmes à Court Collection\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"border-width: medium medium 1pt; border-style: none none solid; border-color: currentcolor currentcolor rgb(221, 221, 221); padding: 0cm 0cm 4pt; text-align: center;\"\u003e\n\u003cp style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHer Dreamings\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eBush Medicine Leaves (also called Leaves)\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThe work Gloria is famous for. The medicine leaves come from a range of native plants gathered across Utopia, prepared different ways depending on what's needed, boiled and drunk, crushed into a poultice, worked into a balm, or burned and smoked. The leaves change through the seasons, and Gloria painted them mid-fall, thousands of small strokes drifting across the canvas. She first developed the style in 1994 at Mosquito Bore, and her sisters, daughters and nieces have carried it on since.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAwelye (women’s ceremony and body paint)\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThe designs women wear across their chest and shoulders for ceremony. This was Gloria's earliest subject, going back to her batik work. The lines swirl and radiate the way the paint sits on the skin, often put on with the fingers.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eArnkerrthe (Mountain or Thorny Devil Lizard)\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eA small spiny desert lizard and one of Gloria's most important ancestral stories. Arnkerrthe travelled across her Country creating the sites, songs and stories, carrying a sac of ochre at its neck used for ceremony. Gloria's swirling design, which she called the “swirly ones”, stands for the thorny skin on its back.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAknangkere\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eGloria's own Country. Late in her career she developed a looser series called Aknangkere Growth, using lines of colour running across the canvas to show plant life regenerating on her homeland.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eGrass Seeds\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNative grass seed, a traditional bush food gathered and ground by the women. Gloria painted it in works like Sacred Grass, using a strong linear pattern with light dotting.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\" class=\"MsoNormal\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003ePencil Yam\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eA bush food with an edible root dug from the ground, one of the bush-food Dreamings shared across the Petyarre family and the wider Utopia group.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"mso-element: para-border-div; border: none; border-bottom: solid #DDDDDD 1.0pt; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm 0cm 4.0pt 0cm;\"\u003e\n\u003cdiv style=\"border-width: medium medium 1pt; border-style: none none solid; border-color: currentcolor currentcolor rgb(221, 221, 221); padding: 0cm 0cm 4pt; text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAbout this painting\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 6pt; line-height: 115%; text-align: center;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThis painting can be hung vertically or horizontally.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 6pt; line-height: 115%; text-align: center;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eGloria has used an ochre orange and striking gold acrylic in this piece.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 115%; text-align: center;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSigned by Gloria and supplied with a photo of Gloria alongside the finished work and a gallery Certificate of Authenticity. Purchased directly from the artist.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 115%; text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"GLORIA TAMERRE PETYARRE","offers":[{"title":"43CM X 151CM","offer_id":41580406997037,"sku":"GP24","price":7800.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/products\/GLORIAPETYARREREF_GP24CLOSEUPOFTHEGOLD_39bd1e50-4d69-4cff-b1ba-055027b40b0e.jpg?v=1641257865"},{"product_id":"makinti-napanangka-lupulnga","title":"MAKINTI NAPANANGKA - Untitled","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eMAKINTI NAPANANGKA\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e TITLE: UNTITLED\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eACRYLIC ON CANVAS\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e88CM X 70CM\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eMAKINTI HAS SIGNED THE PAINTING AND A PHOTO WILL BE PROVIDED\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eREF#MN37\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eBorn: c. 1930 - 2011. Karrkurritinytja (Lake MacDonald), Western Desert Region\u003cbr\u003eLanguage: Pintupi\u003cbr\u003eCommunity: Kintore (Walungurru), Northern Territory\u003cbr\u003eDreamings: Kungka Kutjarra (Two Women), Lupulnga, Hair String, Body Paint (Women's Ceremony), Kuningka (Western Quoll)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eMakinti Napanangka was born around 1930 in the country around Karrkurritinytja, the great salt lake known to mapmakers as Lake MacDonald, where the Northern Territory gives way to Western Australia. It is old country, a pale sweep of salt and spinifex ringed by low tali sandhills that shift colour as the sun moves across them, and it holds the rockholes and ceremonial sites that Makinti carried with her for the rest of her life. She grew up living the traditional Pintupi way, and her first sight of white people came when she watched men travelling by camel near Lupul. In the early 1940s she walked in to Haasts Bluff with her family, long before Papunya was built. She later lived at Papunya, and settled at Kintore when that community was established.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHer painting life began late and moved quickly. She was one of the senior women who took part in the collaborative Haasts Bluff and Kintore women's painting project, a body of major canvases completed in 1994 and shown at the Tandanya National Aboriginal Cultural Institute in Adelaide. That project marked the point at which Pintupi women stepped forward as independent artists in the Western Desert movement, rather than working as helpers on paintings belonging to their husbands and brothers. In 1996 Makinti began painting for Papunya Tula Artists, alongside her cousin and painting companion Tatali Nangala, and she went on to become the most senior woman painting with the company as well as a shareholder and director of it.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eWhat set her apart was her hand. Where much Western Desert painting is built up through the patient placing of dots with a fine stick, Makinti worked with a loaded brush and a gestural sweep that came straight out of the way ochre is drawn across the body for women's ceremony. Her canvases are layered, thick with paint, alive with movement. Bands of pale line arc and twist across grounds of orange and ochre, lit up with bursts of pink, mauve and yellow. The effect is less a map of country than the feel of country, the rhythm of feet and song and skirts turning in the dust.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eRecognition came steadily. Australian Art Collector magazine named her one of Australia's 50 Most Collectable Artists three years running, in 2003, 2004 and 2005, and she was a repeated finalist in the National Aboriginal and Torres Strait Islander Art Award through that decade before taking out the top prize in 2008. By then her work was being acquired by every major public collection in the country, and Utopia Art Sydney's director had described her as the Central Desert's finest painter since Emily Kngwarreye, with no living match for her painterly freedom.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eTowards the end of her painting career Makinti's eyesight was failing, but it did not dampen her passion for painting. She would visit our family home, fondly called the farm, and ask for vibrant acrylic paints so she could take them home and later come back with her vivid, colourful canvases.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eMakinti passed away on 9 January 2011 at Alice Springs. Later that year she was posthumously appointed a Member of the Order of Australia (AM) in the Queen's Birthday Honours, recognised for her service to the arts as a contemporary Indigenous artist and for her role among the women painters of the Western Desert art movement.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHER DREAMINGS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKungka Kutjarra (Two Women) \u003c\/span\u003e— The Two Ancestral Women travelled enormous distances across the desert in the creation time, hundreds of kilometres of it, stopping at rockholes, camping, gathering food and performing ceremony as they went. Their journey is one of the great shared stories of the Western Desert, sung and painted by Pintupi, Warlpiri and Pitjantjatjara people alike. Makinti painted the line of their travels and the ceremonies they left behind.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLupulnga\u003c\/span\u003e — A rockhole site south of Kintore, and the place most closely bound to Makinti's name. Water in this country is everything, and a rockhole is not simply a waterhole but a living site of law, ceremony and belonging. Seen from above, as so many desert artists see their country, the site sits within the pale ring of surrounding sandhills like the still centre of the whole landscape. It was an untitled painting of Lupulnga that won her the nation's top Indigenous art prize.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eHair String\u003c\/span\u003e — Pintupi women spin string from human hair and wear it as skirts and belts during ceremony, the loose strands swinging and lifting as they dance. The looping, flowing bands of colour running through Makinti's work are these skirts in motion. It is a subject she made entirely her own, until the twisting line became her signature.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBody Paint (Women's Ceremony) \u003c\/span\u003e— The designs painted onto women's bodies for ceremony, distilled down to their essential shapes and let loose across the canvas. Makinti did not so much depict these designs as perform them, using the same broad, confident sweep of the hand that lays ochre onto skin.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKuningka (Western Quoll) \u003c\/span\u003e— A small native carnivore of the desert country, now vanished from much of its old range. In Makinti's work it appears in the roundels and circles that sit among the flowing lines.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAWARDS AND RECOGNITION\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2011 Member of the Order of Australia (AM), Queen's Birthday Honours, awarded posthumously\u003cbr\u003e2010 Alice Prize, Alice Springs — Finalist\u003cbr\u003e2009 26th National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003cbr\u003e2008 25th National Aboriginal and Torres Strait Islander Art Award, Darwin — Winner, for an untitled painting of Lupulnga\u003cbr\u003e2004 Wynne Prize, Art Gallery of New South Wales — Finalist\u003cbr\u003e2003, 2004 and 2005 Named one of Australia's 50 Most Collectable Artists, Australian Art Collector magazine, three consecutive years\u003cbr\u003e2003 Clemenger Contemporary Art Award, National Gallery of Victoria — Finalist\u003cbr\u003e2003 20th National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003cbr\u003e1997, 1998, 2001, 2002 National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSELECTED EXHIBITIONS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1995 Minyma Tjukurrpa: Kintore and Haasts Bluff Canvas Project, Tandanya National Aboriginal Cultural Institute, Adelaide\u003cbr\u003e2000 Papunya Tula: Genesis and Genius, Art Gallery of New South Wales, Sydney\u003cbr\u003e2003 Emerge, Museum and Art Gallery of the Northern Territory, Darwin\u003cbr\u003e2003 Clemenger Contemporary Art Award, National Gallery of Victoria, Melbourne\u003cbr\u003e2005 to 2006 Luminous: Contemporary Art from the Australian Desert, touring regional galleries in New South Wales, Victoria and South Australia\u003cbr\u003e2012 18th Biennale of Sydney, All Our Relations\u003cbr\u003e2012 Ancestral Modern: Australian Aboriginal Art from the Kaplan and Levi Collection, Seattle Art Museum, USA\u003cbr\u003e2013 Crossing Cultures: The Owen and Wagner Collection of Contemporary Aboriginal Australian Art, Toledo Museum of Art, USA\u003cbr\u003e2015 Tarnanthi: Festival of Contemporary Aboriginal and Torres Strait Islander Art, Art Gallery of South Australia, Adelaide\u003cbr\u003e2016 Artist's Hand, Collectors' Eye: The Angel Gift, National Gallery of Victoria, Melbourne\u003cbr\u003e2019 Borrowed Scenery, Campbelltown Arts Centre, Sydney\u003cbr\u003e2021 Papunya Tula: 50 Years, S.H. Ervin Gallery, Sydney\u003cbr\u003e2022 Irrititja Kuwarri Tjungu: Past and Present Together, Kluge-Ruhe Aboriginal Art Collection, University of Virginia, USA\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNational Gallery of Australia, Canberra\u003cbr\u003eArt Gallery of New South Wales, Sydney\u003cbr\u003eNational Gallery of Victoria, Melbourne\u003cbr\u003eQueensland Art Gallery and Gallery of Modern Art, Brisbane\u003cbr\u003eMuseum and Art Gallery of the Northern Territory, Darwin\u003cbr\u003eUniversity of Melbourne Art Collection\u003cbr\u003eSeattle Art Museum, USA\u003cbr\u003eHood Museum of Art, Dartmouth College, USA\u003cbr\u003eKluge-Ruhe Aboriginal Art Collection, University of Virginia, USA\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThis painting was purchased directly from Makinti, and a gallery certificate of authenticity will be provided with the sale.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Cormorant bold',serif;\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"MAKINTI NAPANANGKA","offers":[{"title":"88CM X 70CM","offer_id":41580455165997,"sku":"MN37","price":7995.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/products\/1e327b20-baee-4990-90e8-e12d82222e85.jpg?v=1615862909"},{"product_id":"makinti-napanangka-kungka-kutjarra","title":"MAKINTI NAPANANGKA - Untitled","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eMAKINTI NAPANANGKA\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e TITLE: UNTITLED\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eACRYLIC ON CANVAS\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e151CM X 40CM\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eMAKINTI HAS SIGNED THE PAINTING AND A PHOTO WILL BE PROVIDED\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eREF#MN38\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eBorn: c. 1930 - 2011. Karrkurritinytja (Lake MacDonald), Western Desert Region\u003cbr\u003eLanguage: Pintupi\u003cbr\u003eCommunity: Kintore (Walungurru), Northern Territory\u003cbr\u003eDreamings: Kungka Kutjarra (Two Women), Lupulnga, Hair String, Body Paint (Women's Ceremony), Kuningka (Western Quoll)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eMakinti Napanangka was born around 1930 in the country around Karrkurritinytja, the great salt lake known to mapmakers as Lake MacDonald, where the Northern Territory gives way to Western Australia. It is old country, a pale sweep of salt and spinifex ringed by low tali sandhills that shift colour as the sun moves across them, and it holds the rockholes and ceremonial sites that Makinti carried with her for the rest of her life. She grew up living the traditional Pintupi way, and her first sight of white people came when she watched men travelling by camel near Lupul. In the early 1940s she walked in to Haasts Bluff with her family, long before Papunya was built. She later lived at Papunya, and settled at Kintore when that community was established.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHer painting life began late and moved quickly. She was one of the senior women who took part in the collaborative Haasts Bluff and Kintore women's painting project, a body of major canvases completed in 1994 and shown at the Tandanya National Aboriginal Cultural Institute in Adelaide. That project marked the point at which Pintupi women stepped forward as independent artists in the Western Desert movement, rather than working as helpers on paintings belonging to their husbands and brothers. In 1996 Makinti began painting for Papunya Tula Artists, alongside her cousin and painting companion Tatali Nangala, and she went on to become the most senior woman painting with the company as well as a shareholder and director of it.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eWhat set her apart was her hand. Where much Western Desert painting is built up through the patient placing of dots with a fine stick, Makinti worked with a loaded brush and a gestural sweep that came straight out of the way ochre is drawn across the body for women's ceremony. Her canvases are layered, thick with paint, alive with movement. Bands of pale line arc and twist across grounds of orange and ochre, lit up with bursts of pink, mauve and yellow. The effect is less a map of country than the feel of country, the rhythm of feet and song and skirts turning in the dust.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eRecognition came steadily. Australian Art Collector magazine named her one of Australia's 50 Most Collectable Artists three years running, in 2003, 2004 and 2005, and she was a repeated finalist in the National Aboriginal and Torres Strait Islander Art Award through that decade before taking out the top prize in 2008. By then her work was being acquired by every major public collection in the country, and Utopia Art Sydney's director had described her as the Central Desert's finest painter since Emily Kngwarreye, with no living match for her painterly freedom.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eTowards the end of her painting career Makinti's eyesight was failing, but it did not dampen her passion for painting. She would visit our family home, fondly called the farm, and ask for vibrant acrylic paints so she could take them home and later come back with her vivid, colourful canvases.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eMakinti passed away on 9 January 2011 at Alice Springs. Later that year she was posthumously appointed a Member of the Order of Australia (AM) in the Queen's Birthday Honours, recognised for her service to the arts as a contemporary Indigenous artist and for her role among the women painters of the Western Desert art movement.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHER DREAMINGS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKungka Kutjarra (Two Women) \u003c\/span\u003e— The Two Ancestral Women travelled enormous distances across the desert in the creation time, hundreds of kilometres of it, stopping at rockholes, camping, gathering food and performing ceremony as they went. Their journey is one of the great shared stories of the Western Desert, sung and painted by Pintupi, Warlpiri and Pitjantjatjara people alike. Makinti painted the line of their travels and the ceremonies they left behind.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLupulnga\u003c\/span\u003e — A rockhole site south of Kintore, and the place most closely bound to Makinti's name. Water in this country is everything, and a rockhole is not simply a waterhole but a living site of law, ceremony and belonging. Seen from above, as so many desert artists see their country, the site sits within the pale ring of surrounding sandhills like the still centre of the whole landscape. It was an untitled painting of Lupulnga that won her the nation's top Indigenous art prize.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eHair String\u003c\/span\u003e — Pintupi women spin string from human hair and wear it as skirts and belts during ceremony, the loose strands swinging and lifting as they dance. The looping, flowing bands of colour running through Makinti's work are these skirts in motion. It is a subject she made entirely her own, until the twisting line became her signature.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBody Paint (Women's Ceremony) \u003c\/span\u003e— The designs painted onto women's bodies for ceremony, distilled down to their essential shapes and let loose across the canvas. Makinti did not so much depict these designs as perform them, using the same broad, confident sweep of the hand that lays ochre onto skin.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKuningka (Western Quoll) \u003c\/span\u003e— A small native carnivore of the desert country, now vanished from much of its old range. In Makinti's work it appears in the roundels and circles that sit among the flowing lines.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAWARDS AND RECOGNITION\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2011 Member of the Order of Australia (AM), Queen's Birthday Honours, awarded posthumously\u003cbr\u003e2010 Alice Prize, Alice Springs — Finalist\u003cbr\u003e2009 26th National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003cbr\u003e2008 25th National Aboriginal and Torres Strait Islander Art Award, Darwin — Winner, for an untitled painting of Lupulnga\u003cbr\u003e2004 Wynne Prize, Art Gallery of New South Wales — Finalist\u003cbr\u003e2003, 2004 and 2005 Named one of Australia's 50 Most Collectable Artists, Australian Art Collector magazine, three consecutive years\u003cbr\u003e2003 Clemenger Contemporary Art Award, National Gallery of Victoria — Finalist\u003cbr\u003e2003 20th National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003cbr\u003e1997, 1998, 2001, 2002 National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSELECTED EXHIBITIONS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1995 Minyma Tjukurrpa: Kintore and Haasts Bluff Canvas Project, Tandanya National Aboriginal Cultural Institute, Adelaide\u003cbr\u003e2000 Papunya Tula: Genesis and Genius, Art Gallery of New South Wales, Sydney\u003cbr\u003e2003 Emerge, Museum and Art Gallery of the Northern Territory, Darwin\u003cbr\u003e2003 Clemenger Contemporary Art Award, National Gallery of Victoria, Melbourne\u003cbr\u003e2005 to 2006 Luminous: Contemporary Art from the Australian Desert, touring regional galleries in New South Wales, Victoria and South Australia\u003cbr\u003e2012 18th Biennale of Sydney, All Our Relations\u003cbr\u003e2012 Ancestral Modern: Australian Aboriginal Art from the Kaplan and Levi Collection, Seattle Art Museum, USA\u003cbr\u003e2013 Crossing Cultures: The Owen and Wagner Collection of Contemporary Aboriginal Australian Art, Toledo Museum of Art, USA\u003cbr\u003e2015 Tarnanthi: Festival of Contemporary Aboriginal and Torres Strait Islander Art, Art Gallery of South Australia, Adelaide\u003cbr\u003e2016 Artist's Hand, Collectors' Eye: The Angel Gift, National Gallery of Victoria, Melbourne\u003cbr\u003e2019 Borrowed Scenery, Campbelltown Arts Centre, Sydney\u003cbr\u003e2021 Papunya Tula: 50 Years, S.H. Ervin Gallery, Sydney\u003cbr\u003e2022 Irrititja Kuwarri Tjungu: Past and Present Together, Kluge-Ruhe Aboriginal Art Collection, University of Virginia, USA\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNational Gallery of Australia, Canberra\u003cbr\u003eArt Gallery of New South Wales, Sydney\u003cbr\u003eNational Gallery of Victoria, Melbourne\u003cbr\u003eQueensland Art Gallery and Gallery of Modern Art, Brisbane\u003cbr\u003eMuseum and Art Gallery of the Northern Territory, Darwin\u003cbr\u003eUniversity of Melbourne Art Collection\u003cbr\u003eSeattle Art Museum, USA\u003cbr\u003eHood Museum of Art, Dartmouth College, USA\u003cbr\u003eKluge-Ruhe Aboriginal Art Collection, University of Virginia, USA\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThis painting was purchased directly from Makinti, and a gallery certificate of authenticity will be provided with the sale.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Cormorant bold',serif;\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MAKINTI NAPANANGKA","offers":[{"title":"151CM X 40CM","offer_id":41580455264301,"sku":"MN38","price":8995.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/products\/MAKINTINAPANANGKARE_MN38b.jpg?v=1666220378"},{"product_id":"george-ward-tjungurrayi-tingari","title":"GEORGE WARD TJUNGURRAYI - Tingari","description":"\u003ch2 data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong\u003eGEORGE WARD TJUNGURRAYI\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong\u003eTITLE: TINGARI\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong\u003eACRYLIC ON LINEN\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong\u003e206CM X 106CM\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong\u003eGEORGE HAS SIGNED THE PAINTING AND PHOTO WILL BE PROVIDED\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong\u003eREF#GWT60\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong\u003eDOB: Around 1945-2023.  Kiwirrkurra, Gibson Desert, Western Australia\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong\u003eLanguage: Pintupi\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong\u003eDreaming’s: Tingari, Karrkurritinytja (Lake McDonald)\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong\u003eGeorge was born near Kiwirrkurra in the Gibson Desert and lived there until he was a teenager then settling in the Aboriginal settlement of Papunya. It was here at Papunya where George began painting for Papunya Tula Artists around 1976.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong\u003eHis half-brother Yala Yala Gibbs Tjungurrayi and Willy Tjungurrayi were some of the founding artists.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong\u003eIt was in the early 1990s George began painting the Tingari stories using his distinct linear optical stripes to form geometric patterns. His other striking style is seen as loosely joined dots to form patterns to tell his stories. Tingari are ancestral spirit beings who gave law and culture to the Pintupi people and transformed the landscape. Most of the stories around Tingari are secret and only the initiated are privy. George also paints his country such as Karrkurritinytja (Lake McDonald).\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\n\u003cstrong\u003eIn 2004 he won the prestigious Wynne Art Prize at the Art Gallery of New South \u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e Wales. He is a highly sought-after artist with works exhibited in Australia and worldwide.\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong\u003eGeorge prefers to live out bush as a Senior Pintupi elder between the communities of Kintore, Kiwirrkurra and Warakuna where he continues to paint.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong\u003eSadly, George passed away in 2023.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong\u003eThis painting was purchased directly from George and a gallery certificate of authenticity will be provided with the sale.\u003c\/strong\u003e\u003c\/div\u003e","brand":"GEORGE WARD TJUNGURRAYI","offers":[{"title":"206CM X 106CM","offer_id":41580400607277,"sku":"GWT60","price":26000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/products\/GEORGEWARDTJUNGURRAYIREF_GWT60.jpg?v=1617859680"},{"product_id":"makinit-napanangka-untitled","title":"MAKINTI NAPANANGKA - Untitled","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eMAKINTI NAPANANGKA\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eTITLE: UNTITLED\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eACRYLIC ON LINEN\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e149CM X 96CM\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eMAKINTI HAS SIGNED THE PAINTING A PHOTO WILL BE PROVIDED\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eREF#MN112\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eBorn: c. 1930 - 2011. Karrkurritinytja (Lake MacDonald), Western Desert Region\u003cbr\u003eLanguage: Pintupi\u003cbr\u003eCommunity: Kintore (Walungurru), Northern Territory\u003cbr\u003eDreamings: Kungka Kutjarra (Two Women), Lupulnga, Hair String, Body Paint (Women's Ceremony), Kuningka (Western Quoll)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eMakinti Napanangka was born around 1930 in the country around Karrkurritinytja, the great salt lake known to mapmakers as Lake MacDonald, where the Northern Territory gives way to Western Australia. It is old country, a pale sweep of salt and spinifex ringed by low tali sandhills that shift colour as the sun moves across them, and it holds the rockholes and ceremonial sites that Makinti carried with her for the rest of her life. She grew up living the traditional Pintupi way, and her first sight of white people came when she watched men travelling by camel near Lupul. In the early 1940s she walked in to Haasts Bluff with her family, long before Papunya was built. She later lived at Papunya, and settled at Kintore when that community was established.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHer painting life began late and moved quickly. She was one of the senior women who took part in the collaborative Haasts Bluff and Kintore women's painting project, a body of major canvases completed in 1994 and shown at the Tandanya National Aboriginal Cultural Institute in Adelaide. That project marked the point at which Pintupi women stepped forward as independent artists in the Western Desert movement, rather than working as helpers on paintings belonging to their husbands and brothers. In 1996 Makinti began painting for Papunya Tula Artists, alongside her cousin and painting companion Tatali Nangala, and she went on to become the most senior woman painting with the company as well as a shareholder and director of it.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eWhat set her apart was her hand. Where much Western Desert painting is built up through the patient placing of dots with a fine stick, Makinti worked with a loaded brush and a gestural sweep that came straight out of the way ochre is drawn across the body for women's ceremony. Her canvases are layered, thick with paint, alive with movement. Bands of pale line arc and twist across grounds of orange and ochre, lit up with bursts of pink, mauve and yellow. The effect is less a map of country than the feel of country, the rhythm of feet and song and skirts turning in the dust.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eRecognition came steadily. Australian Art Collector magazine named her one of Australia's 50 Most Collectable Artists three years running, in 2003, 2004 and 2005, and she was a repeated finalist in the National Aboriginal and Torres Strait Islander Art Award through that decade before taking out the top prize in 2008. By then her work was being acquired by every major public collection in the country, and Utopia Art Sydney's director had described her as the Central Desert's finest painter since Emily Kngwarreye, with no living match for her painterly freedom.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eTowards the end of her painting career Makinti's eyesight was failing, but it did not dampen her passion for painting. She would visit our family home, fondly called the farm, and ask for vibrant acrylic paints so she could take them home and later come back with her vivid, colourful canvases.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eMakinti passed away on 9 January 2011 at Alice Springs. Later that year she was posthumously appointed a Member of the Order of Australia (AM) in the Queen's Birthday Honours, recognised for her service to the arts as a contemporary Indigenous artist and for her role among the women painters of the Western Desert art movement.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHER DREAMINGS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKungka Kutjarra (Two Women) \u003c\/span\u003e— The Two Ancestral Women travelled enormous distances across the desert in the creation time, hundreds of kilometres of it, stopping at rockholes, camping, gathering food and performing ceremony as they went. Their journey is one of the great shared stories of the Western Desert, sung and painted by Pintupi, Warlpiri and Pitjantjatjara people alike. Makinti painted the line of their travels and the ceremonies they left behind.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLupulnga\u003c\/span\u003e — A rockhole site south of Kintore, and the place most closely bound to Makinti's name. Water in this country is everything, and a rockhole is not simply a waterhole but a living site of law, ceremony and belonging. Seen from above, as so many desert artists see their country, the site sits within the pale ring of surrounding sandhills like the still centre of the whole landscape. It was an untitled painting of Lupulnga that won her the nation's top Indigenous art prize.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eHair String\u003c\/span\u003e — Pintupi women spin string from human hair and wear it as skirts and belts during ceremony, the loose strands swinging and lifting as they dance. The looping, flowing bands of colour running through Makinti's work are these skirts in motion. It is a subject she made entirely her own, until the twisting line became her signature.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBody Paint (Women's Ceremony) \u003c\/span\u003e— The designs painted onto women's bodies for ceremony, distilled down to their essential shapes and let loose across the canvas. Makinti did not so much depict these designs as perform them, using the same broad, confident sweep of the hand that lays ochre onto skin.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKuningka (Western Quoll) \u003c\/span\u003e— A small native carnivore of the desert country, now vanished from much of its old range. In Makinti's work it appears in the roundels and circles that sit among the flowing lines.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAWARDS AND RECOGNITION\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2011 Member of the Order of Australia (AM), Queen's Birthday Honours, awarded posthumously\u003cbr\u003e2010 Alice Prize, Alice Springs — Finalist\u003cbr\u003e2009 26th National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003cbr\u003e2008 25th National Aboriginal and Torres Strait Islander Art Award, Darwin — Winner, for an untitled painting of Lupulnga\u003cbr\u003e2004 Wynne Prize, Art Gallery of New South Wales — Finalist\u003cbr\u003e2003, 2004 and 2005 Named one of Australia's 50 Most Collectable Artists, Australian Art Collector magazine, three consecutive years\u003cbr\u003e2003 Clemenger Contemporary Art Award, National Gallery of Victoria — Finalist\u003cbr\u003e2003 20th National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003cbr\u003e1997, 1998, 2001, 2002 National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSELECTED EXHIBITIONS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1995 Minyma Tjukurrpa: Kintore and Haasts Bluff Canvas Project, Tandanya National Aboriginal Cultural Institute, Adelaide\u003cbr\u003e2000 Papunya Tula: Genesis and Genius, Art Gallery of New South Wales, Sydney\u003cbr\u003e2003 Emerge, Museum and Art Gallery of the Northern Territory, Darwin\u003cbr\u003e2003 Clemenger Contemporary Art Award, National Gallery of Victoria, Melbourne\u003cbr\u003e2005 to 2006 Luminous: Contemporary Art from the Australian Desert, touring regional galleries in New South Wales, Victoria and South Australia\u003cbr\u003e2012 18th Biennale of Sydney, All Our Relations\u003cbr\u003e2012 Ancestral Modern: Australian Aboriginal Art from the Kaplan and Levi Collection, Seattle Art Museum, USA\u003cbr\u003e2013 Crossing Cultures: The Owen and Wagner Collection of Contemporary Aboriginal Australian Art, Toledo Museum of Art, USA\u003cbr\u003e2015 Tarnanthi: Festival of Contemporary Aboriginal and Torres Strait Islander Art, Art Gallery of South Australia, Adelaide\u003cbr\u003e2016 Artist's Hand, Collectors' Eye: The Angel Gift, National Gallery of Victoria, Melbourne\u003cbr\u003e2019 Borrowed Scenery, Campbelltown Arts Centre, Sydney\u003cbr\u003e2021 Papunya Tula: 50 Years, S.H. Ervin Gallery, Sydney\u003cbr\u003e2022 Irrititja Kuwarri Tjungu: Past and Present Together, Kluge-Ruhe Aboriginal Art Collection, University of Virginia, USA\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNational Gallery of Australia, Canberra\u003cbr\u003eArt Gallery of New South Wales, Sydney\u003cbr\u003eNational Gallery of Victoria, Melbourne\u003cbr\u003eQueensland Art Gallery and Gallery of Modern Art, Brisbane\u003cbr\u003eMuseum and Art Gallery of the Northern Territory, Darwin\u003cbr\u003eUniversity of Melbourne Art Collection\u003cbr\u003eSeattle Art Museum, USA\u003cbr\u003eHood Museum of Art, Dartmouth College, USA\u003cbr\u003eKluge-Ruhe Aboriginal Art Collection, University of Virginia, USA\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThis painting was purchased directly from Makinti, and a gallery certificate of authenticity will be provided with the sale.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Cormorant bold',serif;\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"MAKINTI NAPANANGKA","offers":[{"title":"149CM X 96CM","offer_id":41580455362605,"sku":"MN112","price":16500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/products\/MAKINTINAPANANGKAREF_MN112_1of4.jpg?v=1636088388"},{"product_id":"kudditji-kngwarreye-my-country","title":"KUDDITJI KNGWARREYE - My Country","description":"\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eKUDDITJI KNGWARREYE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eTITLE: MY COUNTRY\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eACRYLIC ON LINEN\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e127CM X 123CM\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eKUDDITJI HAS SIGNED THE PAINTING AND WORKING PHOTOS WILL BE PROVIDED.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eREF#KK117\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eBorn: c1928 -2017.  Utopia, Northern Territory\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eKnown as: Kudditji \u0026amp; Kuddtji, \"Goob\"\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eLanguage: Eastern Anmatyerre\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eDreaming’s: My Country, Emu Dreaming, Men’s Ceremony \u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e(Boundary Bore)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAbout the artist\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eKudditji Kngwarreye was a senior Anmatyerre elder from Alhalkere, on the Utopia homelands about 250 kilometres north-east of Alice Springs. He belonged to the Eastern Anmatyerre language group and was the younger brother, through kinship, of the celebrated artist Emily Kame Kngwarreye. Before he came to painting he lived a traditional bush life and worked as a cattle stockman and mine worker across Central Australia.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAs a custodian of many important Dreamings, Kudditji held ceremonial law for sites across his country, particularly around Boundary Bore, where men's initiation ceremonies are performed. His paintings carry the authority of that knowledge, and he was known to sing his stories quietly as he worked, infusing each canvas with the ancestors, the hunts and the seasons of Anmatyerre country.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eKudditji began painting in the mid-1980s in the fine dot style that galleries favoured at the time. His instinct, though, was for something looser and more gestural, and he gradually moved toward broad fields of colour he called My Country. The shift was not embraced at first, and for a period he was encouraged back toward conventional dot infill. From the early 2000s he returned with conviction to the abstract, loading his brush and laying down bold and softly blended blocks of colour to map the land and sky through their changing moods and seasons. This time the art world welcomed it.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eCritics have often likened these luminous colour fields to the work of Mark Rothko, and Kudditji became affectionately known as the \"Rothko of the bush\". The voice, however, is unmistakably his own, grounded in country rather than any Western school. He is now regarded as one of the most innovative contemporary Indigenous Australian artists of his generation.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSelected exhibitions\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2009 — Rêves Aborigènes, Musée d'Art et d'Histoire, Bormes-les-Mimosas, France\u003cbr\u003e2006 — Arken Museum of Modern Art, Copenhagen, Denmark\u003cbr\u003e2006 — Togart Contemporary Art Award, Darwin\u003cbr\u003e1992 — Tjukurrpa, Museum für Völkerkunde, Basel, Switzerland\u003cbr\u003e1991 — Central Australian Aboriginal Art and Craft Exhibition, Araluen Arts Centre, Alice Springs\u003cbr\u003e1990 — Contemporary Art from Australia, Art Dock, Nouméa, New Caledonia\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eRecognition and awards\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eIn 2006 Art Collector magazine named Kudditji one of Australia's 50 Most Collectable Artists. Gallery records also credit him with a First Prize at the Cape York Art Awards in 2001 for the painting \"Sorrow\", and a First Prize for works on paper in 1999 for the etching \"Spirits Dance\".\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eCollections\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHis work is held in public, university and private collections in Australia and overseas, including the Araluen Art Centre (Alice Springs), Macquarie University (New South Wales) and Artbank (the Australian Government art collection, Sydney), together with international private collections such as the Luciano Benetton Collection (Venice) and the Fondation Burkhardt-Felder Arts et Culture (Switzerland).\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThis painting was purchased directly from Kudditji, and a gallery certificate of authenticity will be provided with the sale.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"KUDDITJI KNGWARREYE","offers":[{"title":"127CM X 123CM","offer_id":41580448710701,"sku":"KK117","price":8600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/products\/KUDDITJIREF_117_1of2.jpg?v=1639032725"},{"product_id":"kudditji-kngwarreye-my-country-1","title":"KUDDITJI KNGWARREYE - My Country","description":"\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eKUDDITJI KNGWARREYE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eTITLE: MY COUNTRY\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eACRYLIC ON LINEN\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e128CM X 100CM\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eKUDDITJI HAS SIGNED THE PAINTING A PHOTO WILL BE PROVIDED.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eREF#KK126\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eBorn: c1928 -2017.  Utopia, Northern Territory\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eKnown as: Kudditji \u0026amp; Kuddtji, \"Goob\"\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eLanguage: Eastern Anmatyerre\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eDreaming’s: My Country, Emu Dreaming, Men’s Ceremony \u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e(Boundary Bore)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAbout the artist\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eKudditji Kngwarreye was a senior Anmatyerre elder from Alhalkere, on the Utopia homelands about 250 kilometres north-east of Alice Springs. He belonged to the Eastern Anmatyerre language group and was the younger brother, through kinship, of the celebrated artist Emily Kame Kngwarreye. Before he came to painting he lived a traditional bush life and worked as a cattle stockman and mine worker across Central Australia.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAs a custodian of many important Dreamings, Kudditji held ceremonial law for sites across his country, particularly around Boundary Bore, where men's initiation ceremonies are performed. His paintings carry the authority of that knowledge, and he was known to sing his stories quietly as he worked, infusing each canvas with the ancestors, the hunts and the seasons of Anmatyerre country.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eKudditji began painting in the mid-1980s in the fine dot style that galleries favoured at the time. His instinct, though, was for something looser and more gestural, and he gradually moved toward broad fields of colour he called My Country. The shift was not embraced at first, and for a period he was encouraged back toward conventional dot infill. From the early 2000s he returned with conviction to the abstract, loading his brush and laying down bold and softly blended blocks of colour to map the land and sky through their changing moods and seasons. This time the art world welcomed it.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eCritics have often likened these luminous colour fields to the work of Mark Rothko, and Kudditji became affectionately known as the \"Rothko of the bush\". The voice, however, is unmistakably his own, grounded in country rather than any Western school. He is now regarded as one of the most innovative contemporary Indigenous Australian artists of his generation.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSelected exhibitions\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2009 — Rêves Aborigènes, Musée d'Art et d'Histoire, Bormes-les-Mimosas, France\u003cbr\u003e2006 — Arken Museum of Modern Art, Copenhagen, Denmark\u003cbr\u003e2006 — Togart Contemporary Art Award, Darwin\u003cbr\u003e1992 — Tjukurrpa, Museum für Völkerkunde, Basel, Switzerland\u003cbr\u003e1991 — Central Australian Aboriginal Art and Craft Exhibition, Araluen Arts Centre, Alice Springs\u003cbr\u003e1990 — Contemporary Art from Australia, Art Dock, Nouméa, New Caledonia\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eRecognition and awards\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eIn 2006 Art Collector magazine named Kudditji one of Australia's 50 Most Collectable Artists. Gallery records also credit him with a First Prize at the Cape York Art Awards in 2001 for the painting \"Sorrow\", and a First Prize for works on paper in 1999 for the etching \"Spirits Dance\".\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eCollections\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHis work is held in public, university and private collections in Australia and overseas, including the Araluen Art Centre (Alice Springs), Macquarie University (New South Wales) and Artbank (the Australian Government art collection, Sydney), together with international private collections such as the Luciano Benetton Collection (Venice) and the Fondation Burkhardt-Felder Arts et Culture (Switzerland).\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThis painting was purchased directly from Kudditji, and a gallery certificate of authenticity will be provided with the sale.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"KUDDITJI KNGWARREYE","offers":[{"title":"128CM X 100CM","offer_id":41580448841773,"sku":"KK126","price":9200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/products\/KK126.jpg?v=1643591343"},{"product_id":"makinti-napanangka-untitled","title":"MAKINTI NAPANANGKA - Untitled","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eMAKINTI NAPANANGKA\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e TITLE: UNTITLED\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eACRYLIC ON CANVAS\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e89CM X 70CM\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eMAKINTI HAS SIGNED THE PAINTING AND A PHOTO WILL BE PROVIDED\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eREF#MN131\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eBorn: c. 1930 - 2011. Karrkurritinytja (Lake MacDonald), Western Desert Region\u003cbr\u003eLanguage: Pintupi\u003cbr\u003eCommunity: Kintore (Walungurru), Northern Territory\u003cbr\u003eDreamings: Kungka Kutjarra (Two Women), Lupulnga, Hair String, Body Paint (Women's Ceremony), Kuningka (Western Quoll)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eMakinti Napanangka was born around 1930 in the country around Karrkurritinytja, the great salt lake known to mapmakers as Lake MacDonald, where the Northern Territory gives way to Western Australia. It is old country, a pale sweep of salt and spinifex ringed by low tali sandhills that shift colour as the sun moves across them, and it holds the rockholes and ceremonial sites that Makinti carried with her for the rest of her life. She grew up living the traditional Pintupi way, and her first sight of white people came when she watched men travelling by camel near Lupul. In the early 1940s she walked in to Haasts Bluff with her family, long before Papunya was built. She later lived at Papunya, and settled at Kintore when that community was established.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHer painting life began late and moved quickly. She was one of the senior women who took part in the collaborative Haasts Bluff and Kintore women's painting project, a body of major canvases completed in 1994 and shown at the Tandanya National Aboriginal Cultural Institute in Adelaide. That project marked the point at which Pintupi women stepped forward as independent artists in the Western Desert movement, rather than working as helpers on paintings belonging to their husbands and brothers. In 1996 Makinti began painting for Papunya Tula Artists, alongside her cousin and painting companion Tatali Nangala, and she went on to become the most senior woman painting with the company as well as a shareholder and director of it.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eWhat set her apart was her hand. Where much Western Desert painting is built up through the patient placing of dots with a fine stick, Makinti worked with a loaded brush and a gestural sweep that came straight out of the way ochre is drawn across the body for women's ceremony. Her canvases are layered, thick with paint, alive with movement. Bands of pale line arc and twist across grounds of orange and ochre, lit up with bursts of pink, mauve and yellow. The effect is less a map of country than the feel of country, the rhythm of feet and song and skirts turning in the dust.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eRecognition came steadily. Australian Art Collector magazine named her one of Australia's 50 Most Collectable Artists three years running, in 2003, 2004 and 2005, and she was a repeated finalist in the National Aboriginal and Torres Strait Islander Art Award through that decade before taking out the top prize in 2008. By then her work was being acquired by every major public collection in the country, and Utopia Art Sydney's director had described her as the Central Desert's finest painter since Emily Kngwarreye, with no living match for her painterly freedom.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eTowards the end of her painting career Makinti's eyesight was failing, but it did not dampen her passion for painting. She would visit our family home, fondly called the farm, and ask for vibrant acrylic paints so she could take them home and later come back with her vivid, colourful canvases.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eMakinti passed away on 9 January 2011 at Alice Springs. Later that year she was posthumously appointed a Member of the Order of Australia (AM) in the Queen's Birthday Honours, recognised for her service to the arts as a contemporary Indigenous artist and for her role among the women painters of the Western Desert art movement.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHER DREAMINGS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKungka Kutjarra (Two Women) \u003c\/span\u003e— The Two Ancestral Women travelled enormous distances across the desert in the creation time, hundreds of kilometres of it, stopping at rockholes, camping, gathering food and performing ceremony as they went. Their journey is one of the great shared stories of the Western Desert, sung and painted by Pintupi, Warlpiri and Pitjantjatjara people alike. Makinti painted the line of their travels and the ceremonies they left behind.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLupulnga\u003c\/span\u003e — A rockhole site south of Kintore, and the place most closely bound to Makinti's name. Water in this country is everything, and a rockhole is not simply a waterhole but a living site of law, ceremony and belonging. Seen from above, as so many desert artists see their country, the site sits within the pale ring of surrounding sandhills like the still centre of the whole landscape. It was an untitled painting of Lupulnga that won her the nation's top Indigenous art prize.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eHair String\u003c\/span\u003e — Pintupi women spin string from human hair and wear it as skirts and belts during ceremony, the loose strands swinging and lifting as they dance. The looping, flowing bands of colour running through Makinti's work are these skirts in motion. It is a subject she made entirely her own, until the twisting line became her signature.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBody Paint (Women's Ceremony) \u003c\/span\u003e— The designs painted onto women's bodies for ceremony, distilled down to their essential shapes and let loose across the canvas. Makinti did not so much depict these designs as perform them, using the same broad, confident sweep of the hand that lays ochre onto skin.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKuningka (Western Quoll) \u003c\/span\u003e— A small native carnivore of the desert country, now vanished from much of its old range. In Makinti's work it appears in the roundels and circles that sit among the flowing lines.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAWARDS AND RECOGNITION\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2011 Member of the Order of Australia (AM), Queen's Birthday Honours, awarded posthumously\u003cbr\u003e2010 Alice Prize, Alice Springs — Finalist\u003cbr\u003e2009 26th National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003cbr\u003e2008 25th National Aboriginal and Torres Strait Islander Art Award, Darwin — Winner, for an untitled painting of Lupulnga\u003cbr\u003e2004 Wynne Prize, Art Gallery of New South Wales — Finalist\u003cbr\u003e2003, 2004 and 2005 Named one of Australia's 50 Most Collectable Artists, Australian Art Collector magazine, three consecutive years\u003cbr\u003e2003 Clemenger Contemporary Art Award, National Gallery of Victoria — Finalist\u003cbr\u003e2003 20th National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003cbr\u003e1997, 1998, 2001, 2002 National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSELECTED EXHIBITIONS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1995 Minyma Tjukurrpa: Kintore and Haasts Bluff Canvas Project, Tandanya National Aboriginal Cultural Institute, Adelaide\u003cbr\u003e2000 Papunya Tula: Genesis and Genius, Art Gallery of New South Wales, Sydney\u003cbr\u003e2003 Emerge, Museum and Art Gallery of the Northern Territory, Darwin\u003cbr\u003e2003 Clemenger Contemporary Art Award, National Gallery of Victoria, Melbourne\u003cbr\u003e2005 to 2006 Luminous: Contemporary Art from the Australian Desert, touring regional galleries in New South Wales, Victoria and South Australia\u003cbr\u003e2012 18th Biennale of Sydney, All Our Relations\u003cbr\u003e2012 Ancestral Modern: Australian Aboriginal Art from the Kaplan and Levi Collection, Seattle Art Museum, USA\u003cbr\u003e2013 Crossing Cultures: The Owen and Wagner Collection of Contemporary Aboriginal Australian Art, Toledo Museum of Art, USA\u003cbr\u003e2015 Tarnanthi: Festival of Contemporary Aboriginal and Torres Strait Islander Art, Art Gallery of South Australia, Adelaide\u003cbr\u003e2016 Artist's Hand, Collectors' Eye: The Angel Gift, National Gallery of Victoria, Melbourne\u003cbr\u003e2019 Borrowed Scenery, Campbelltown Arts Centre, Sydney\u003cbr\u003e2021 Papunya Tula: 50 Years, S.H. Ervin Gallery, Sydney\u003cbr\u003e2022 Irrititja Kuwarri Tjungu: Past and Present Together, Kluge-Ruhe Aboriginal Art Collection, University of Virginia, USA\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNational Gallery of Australia, Canberra\u003cbr\u003eArt Gallery of New South Wales, Sydney\u003cbr\u003eNational Gallery of Victoria, Melbourne\u003cbr\u003eQueensland Art Gallery and Gallery of Modern Art, Brisbane\u003cbr\u003eMuseum and Art Gallery of the Northern Territory, Darwin\u003cbr\u003eUniversity of Melbourne Art Collection\u003cbr\u003eSeattle Art Museum, USA\u003cbr\u003eHood Museum of Art, Dartmouth College, USA\u003cbr\u003eKluge-Ruhe Aboriginal Art Collection, University of Virginia, USA\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThis painting was purchased directly from Makinti, and a gallery certificate of authenticity will be provided with the sale.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Cormorant bold',serif;\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"MAKINTI NAPANANGKA","offers":[{"title":"89CM X 70CM","offer_id":41580455428141,"sku":"MN131","price":7995.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/products\/MN131.jpg?v=1644478655"},{"product_id":"gloria-tamerre-petyarre-bush-medicine-leaves-1","title":"GLORIA TAMERRE PETYARRE - Bush Medicine Leaves","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eGLORIA TAMERRE PETYARRE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eTITLE: BUSH MEDICINE LEAVES\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eACRYLIC ON CANVAS\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e95CM x 147CM\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eGLORIA HAS SIGNED THE PAINTING AND A PHOTO WILL BE PROVIDED.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eREF#GP133\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eDOB: 1945-2021.  Utopia   Northern Territory\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eKnown as: Gloria Petyarre, Gloria Pitjara, Gloria Tamerre Petyarre\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eLanguage: Anmatyerre\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eDreaming’s: Leaves, Bush Medicine leaves, Grass seeds, Pencil Yam, Awelye (women’s ceremony and body paint designs), Arnkerrthe (Mountain or Thorny Devil Lizard) and Aknangkere\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8.0pt; text-align: justify; line-height: 115%;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eGloria Petyarre was one of the most important artists to come out of Utopia, the Anmatyerre and Alyawarr homelands about 270km north-east of Alice Springs. She was born there around 1945, spoke Anmatyerre, and her Country is Aknangkere.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8.0pt; text-align: justify; line-height: 115%;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eShe was one of the seven Petyarre sisters, alongside Ada Bird, Jean, Kathleen, Myrtle, Nancy and Violet, in a family that has produced some of the most collected work in Aboriginal art. Gloria started out in the Utopia women's batik group in the late 1970s and moved to painting on canvas in 1988, her early work growing out of Awelye, the women's ceremonial body paint.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8.0pt; text-align: justify; line-height: 115%;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eShe is best known for her Bush Medicine Leaves paintings, where the leaves drift and swirl across the canvas as though caught in the wind. In 1999 she won the Wynne Prize for landscape at the Art Gallery of New South Wales for one of these works, the first Aboriginal artist to take out that award. She passed away in June 2021.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"mso-element: para-border-div; border: none; border-bottom: solid #DDDDDD 1.0pt; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm 0cm 4.0pt 0cm;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAwards and commissions\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1999\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eWinner, Wynne Prize for landscape, Art Gallery of New South Wales, the first Aboriginal artist to win it\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2004\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eHighly Commended, Wynne Prize, Art Gallery of New South Wales\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eFinalist in the Wynne Prize in later years, and in the National Aboriginal and Torres Strait Islander Art Awards in Darwin\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2009\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eCommissioned by Hermès, the first Australian artist the house had worked with, her Leaves design produced as a silk scarf titled Le Rêve de Gloria\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1993\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eDesigned a pair of tapestries woven by the Victorian Tapestry Workshop in Melbourne, now the Australian Tapestry Workshop\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1992 to 1993\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eCreated a forty foot mural with her husband Ronnie Price Mpetyane at the entrance to the Australian exhibit at the Kansas City Zoo, which won an American Institute of Architects award in 1994\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"mso-element: para-border-div; border: none; border-bottom: solid #DDDDDD 1.0pt; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm 0cm 4.0pt 0cm;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNotable exhibitions\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1990 to 1991\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eUtopia: A Picture Story, touring Ireland, London and India as well as Adelaide and Melbourne, with Gloria travelling as a representative of the Utopia women\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1991\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eAboriginal Women’s Exhibition, Art Gallery of New South Wales, touring\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eUtopia Body Paint: Art from Australia’s Central Desert, touring twelve venues across North America\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eExhibited at the National Gallery of Australia, Canberra\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"mso-element: para-border-div; border: none; border-bottom: solid #DDDDDD 1.0pt; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm 0cm 4.0pt 0cm;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eCollections\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNational Gallery of Australia\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eArt Gallery of New South Wales (seven works)\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNational Gallery of Victoria\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eArt Gallery of South Australia\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eQueensland Art Gallery\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eMuseum and Art Gallery of the Northern Territory\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eKluge-Ruhe Aboriginal Art Collection, University of Virginia\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSeattle Art Museum\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThe Holmes à Court Collection\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"mso-element: para-border-div; border: none; border-bottom: solid #DDDDDD 1.0pt; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm 0cm 4.0pt 0cm;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHer Dreamings\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eBush Medicine Leaves (also called Leaves)\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThe work Gloria is famous for. The medicine leaves come from a range of native plants gathered across Utopia, prepared different ways depending on what's needed, boiled and drunk, crushed into a poultice, worked into a balm, or burned and smoked. The leaves change through the seasons, and Gloria painted them mid-fall, thousands of small strokes drifting across the canvas. She first developed the style in 1994 at Mosquito Bore, and her sisters, daughters and nieces have carried it on since.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAwelye (women’s ceremony and body paint)\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThe designs women wear across their chest and shoulders for ceremony. This was Gloria's earliest subject, going back to her batik work. The lines swirl and radiate the way the paint sits on the skin, often put on with the fingers.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eArnkerrthe (Mountain or Thorny Devil Lizard)\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eA small spiny desert lizard and one of Gloria's most important ancestral stories. Arnkerrthe travelled across her Country creating the sites, songs and stories, carrying a sac of ochre at its neck used for ceremony. Gloria's swirling design, which she called the “swirly ones”, stands for the thorny skin on its back.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAknangkere\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eGloria's own Country. Late in her career she developed a looser series called Aknangkere Growth, using lines of colour running across the canvas to show plant life regenerating on her homeland.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eGrass Seeds\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNative grass seed, a traditional bush food gathered and ground by the women. Gloria painted it in works like Sacred Grass, using a strong linear pattern with light dotting.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003ePencil Yam\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eA bush food with an edible root dug from the ground, one of the bush-food Dreamings shared across the Petyarre family and the wider Utopia group.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"mso-element: para-border-div; border: none; border-bottom: solid #DDDDDD 1.0pt; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm 0cm 4.0pt 0cm;\"\u003e\n\u003cdiv style=\"mso-element: para-border-div; border: none; border-bottom: solid #DDDDDD 1.0pt; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm 0cm 4.0pt 0cm;\"\u003e\n\u003cp style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAbout this painting\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"margin-bottom: 6pt; line-height: 115%;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThis painting can be hung vertically or horizontally.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 115%;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSigned by Gloria and supplied with a photo of Gloria alongside the finished work and a gallery Certificate of Authenticity. Purchased directly from the artist.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify; line-height: 115%;\" class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"GLORIA TAMERRE PETYARRE","offers":[{"title":"95CM x 147CM","offer_id":41580413681709,"sku":"GP133","price":8995.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/products\/GP133_9e548203-c816-4fbf-9fe6-9c84b00ab7b4.jpg?v=1645069738"},{"product_id":"gloria-tamerre-petyarre-bush-medicine-leaves-4","title":"GLORIA TAMERRE PETYARRE - Bush Medicine Leaves","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eGLORIA TAMERRE PETYARRE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eTITLE: BUSH MEDICINE LEAVES\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eACRYLIC ON CANVAS\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e96CM x 146CM\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eGLORIA HAS SIGNED THE PAINTING AND A PHOTO WILL BE PROVIDED.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eREF#GP151\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eDOB: 1945-2021.  Utopia   Northern Territory\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eKnown as: Gloria Petyarre, Gloria Pitjara, Gloria Tamerre Petyarre\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eLanguage: Anmatyerre\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eDreaming’s: Leaves, Bush Medicine leaves, Grass seeds, Pencil Yam, Awelye (women’s ceremony and body paint designs), Arnkerrthe (Mountain or Thorny Devil Lizard) and Aknangkere\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8pt; line-height: 115%;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eGloria Petyarre was one of the most important artists to come out of Utopia, the Anmatyerre and Alyawarr homelands about 270km north-east of Alice Springs. She was born there around 1945, spoke Anmatyerre, and her Country is Aknangkere.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8pt; line-height: 115%;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eShe was one of the seven Petyarre sisters, alongside Ada Bird, Jean, Kathleen, Myrtle, Nancy and Violet, in a family that has produced some of the most collected work in Aboriginal art. Gloria started out in the Utopia women's batik group in the late 1970s and moved to painting on canvas in 1988, her early work growing out of Awelye, the women's ceremonial body paint.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8pt; line-height: 115%;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eShe is best known for her Bush Medicine Leaves paintings, where the leaves drift and swirl across the canvas as though caught in the wind. In 1999 she won the Wynne Prize for landscape at the Art Gallery of New South Wales for one of these works, the first Aboriginal artist to take out that award. She passed away in June 2021.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"mso-element: para-border-div; border: none; border-bottom: solid #DDDDDD 1.0pt; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm 0cm 4.0pt 0cm;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAwards and commissions\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1999\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eWinner, Wynne Prize for landscape, Art Gallery of New South Wales, the first Aboriginal artist to win it\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2004\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eHighly Commended, Wynne Prize, Art Gallery of New South Wales\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eFinalist in the Wynne Prize in later years, and in the National Aboriginal and Torres Strait Islander Art Awards in Darwin\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2009\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eCommissioned by Hermès, the first Australian artist the house had worked with, her Leaves design produced as a silk scarf titled Le Rêve de Gloria\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1993\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eDesigned a pair of tapestries woven by the Victorian Tapestry Workshop in Melbourne, now the Australian Tapestry Workshop\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1992 to 1993\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eCreated a forty foot mural with her husband Ronnie Price Mpetyane at the entrance to the Australian exhibit at the Kansas City Zoo, which won an American Institute of Architects award in 1994\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"mso-element: para-border-div; border: none; border-bottom: solid #DDDDDD 1.0pt; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm 0cm 4.0pt 0cm;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNotable exhibitions\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1990 to 1991\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eUtopia: A Picture Story, touring Ireland, London and India as well as Adelaide and Melbourne, with Gloria travelling as a representative of the Utopia women\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1991\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eAboriginal Women’s Exhibition, Art Gallery of New South Wales, touring\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eUtopia Body Paint: Art from Australia’s Central Desert, touring twelve venues across North America\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eExhibited at the National Gallery of Australia, Canberra\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"mso-element: para-border-div; border: none; border-bottom: solid #DDDDDD 1.0pt; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm 0cm 4.0pt 0cm;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eCollections\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNational Gallery of Australia\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eArt Gallery of New South Wales (seven works)\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNational Gallery of Victoria\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eArt Gallery of South Australia\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eQueensland Art Gallery\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eMuseum and Art Gallery of the Northern Territory\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eKluge-Ruhe Aboriginal Art Collection, University of Virginia\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSeattle Art Museum\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThe Holmes à Court Collection\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"mso-element: para-border-div; border: none; border-bottom: solid #DDDDDD 1.0pt; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm 0cm 4.0pt 0cm;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHer Dreamings\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eBush Medicine Leaves (also called Leaves)\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThe work Gloria is famous for. The medicine leaves come from a range of native plants gathered across Utopia, prepared different ways depending on what's needed, boiled and drunk, crushed into a poultice, worked into a balm, or burned and smoked. The leaves change through the seasons, and Gloria painted them mid-fall, thousands of small strokes drifting across the canvas. She first developed the style in 1994 at Mosquito Bore, and her sisters, daughters and nieces have carried it on since.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAwelye (women’s ceremony and body paint)\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThe designs women wear across their chest and shoulders for ceremony. This was Gloria's earliest subject, going back to her batik work. The lines swirl and radiate the way the paint sits on the skin, often put on with the fingers.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eArnkerrthe (Mountain or Thorny Devil Lizard)\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eA small spiny desert lizard and one of Gloria's most important ancestral stories. Arnkerrthe travelled across her Country creating the sites, songs and stories, carrying a sac of ochre at its neck used for ceremony. Gloria's swirling design, which she called the “swirly ones”, stands for the thorny skin on its back.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAknangkere\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eGloria's own Country. Late in her career she developed a looser series called Aknangkere Growth, using lines of colour running across the canvas to show plant life regenerating on her homeland.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eGrass Seeds\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNative grass seed, a traditional bush food gathered and ground by the women. Gloria painted it in works like Sacred Grass, using a strong linear pattern with light dotting.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003ePencil Yam\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eA bush food with an edible root dug from the ground, one of the bush-food Dreamings shared across the Petyarre family and the wider Utopia group.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"mso-element: para-border-div; border: none; border-bottom: solid #DDDDDD 1.0pt; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm 0cm 4.0pt 0cm;\"\u003e\n\u003cdiv style=\"mso-element: para-border-div; border: none; border-bottom: solid #DDDDDD 1.0pt; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm 0cm 4.0pt 0cm;\"\u003e\n\u003cp style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAbout this painting\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"margin-bottom: 6pt; line-height: 115%;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThis painting can be hung vertically or horizontally.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 115%;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSigned by Gloria and supplied with a photo of Gloria alongside the finished work and a gallery Certificate of Authenticity. Purchased directly from the artist.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify; line-height: 115%;\" class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan lang=\"EN-US\" style=\"mso-hansi-font-family: 'Times New Roman'; color: black;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"GLORIA TAMERRE PETYARRE","offers":[{"title":"96CM x 146CM","offer_id":41580414730285,"sku":"GP151","price":8995.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/products\/GP151.jpg?v=1647141452"},{"product_id":"gloria-tamerre-petyarre-bush-medicine-leaves-6","title":"GLORIA TAMERRE PETYARRE - Bush Medicine Leaves","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cb\u003eGLORIA TAMERRE PETYARRE \u003c\/b\u003e\u003c\/h2\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003eTITLE: BUSH MEDICINE LEAVES\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003eACRYLIC ON CANVAS\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003e89CM X 124CM\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003eGLORIA HAS SIGNED THE PAINTING AND A PHOTO WILL BE PROVIDED\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003eREF#GP163\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003eDOB: 1945-2021.  Utopia   Northern Territory\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003eKnown as: Gloria Petyarre, Gloria Pitjara, Gloria Tamerre Petyarre\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003eLanguage: Anmatyerre\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003eDreaming’s: Leaves, Bush Medicine leaves, Grass seeds, Pencil Yam, Awelye (women’s ceremony and body paint designs), Arnkerrthe (Mountain or Thorny Devil Lizard) and Aknangkere \u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8pt; line-height: 115%; text-align: center;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eGloria Petyarre was one of the most important artists to come out of Utopia, the Anmatyerre and Alyawarr homelands about 270km north-east of Alice Springs. She was born there around 1945, spoke Anmatyerre, and her Country is Aknangkere.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8pt; line-height: 115%; text-align: center;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eShe was one of the seven Petyarre sisters, alongside Ada Bird, Jean, Kathleen, Myrtle, Nancy and Violet, in a family that has produced some of the most collected work in Aboriginal art. Gloria started out in the Utopia women's batik group in the late 1970s and moved to painting on canvas in 1988, her early work growing out of Awelye, the women's ceremonial body paint.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8pt; line-height: 115%; text-align: center;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eShe is best known for her Bush Medicine Leaves paintings, where the leaves drift and swirl across the canvas as though caught in the wind. In 1999 she won the Wynne Prize for landscape at the Art Gallery of New South Wales for one of these works, the first Aboriginal artist to take out that award. She passed away in June 2021.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"border-width: medium medium 1pt; border-style: none none solid; border-color: currentcolor currentcolor rgb(221, 221, 221); padding: 0cm 0cm 4pt; text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAwards and commissions\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1999\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eWinner, Wynne Prize for landscape, Art Gallery of New South Wales, the first Aboriginal artist to win it\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2004\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eHighly Commended, Wynne Prize, Art Gallery of New South Wales\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eFinalist in the Wynne Prize in later years, and in the National Aboriginal and Torres Strait Islander Art Awards in Darwin\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2009\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eCommissioned by Hermès, the first Australian artist the house had worked with, her Leaves design produced as a silk scarf titled Le Rêve de Gloria\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1993\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eDesigned a pair of tapestries woven by the Victorian Tapestry Workshop in Melbourne, now the Australian Tapestry Workshop\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1992 to 1993\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eCreated a forty foot mural with her husband Ronnie Price Mpetyane at the entrance to the Australian exhibit at the Kansas City Zoo, which won an American Institute of Architects award in 1994\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"border-width: medium medium 1pt; border-style: none none solid; border-color: currentcolor currentcolor rgb(221, 221, 221); padding: 0cm 0cm 4pt; text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNotable exhibitions\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1990 to 1991\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eUtopia: A Picture Story, touring Ireland, London and India as well as Adelaide and Melbourne, with Gloria travelling as a representative of the Utopia women\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1991\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eAboriginal Women’s Exhibition, Art Gallery of New South Wales, touring\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eUtopia Body Paint: Art from Australia’s Central Desert, touring twelve venues across North America\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eExhibited at the National Gallery of Australia, Canberra\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"border-width: medium medium 1pt; border-style: none none solid; border-color: currentcolor currentcolor rgb(221, 221, 221); padding: 0cm 0cm 4pt; text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eCollections\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNational Gallery of Australia\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eArt Gallery of New South Wales (seven works)\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNational Gallery of Victoria\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eArt Gallery of South Australia\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eQueensland Art Gallery\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eMuseum and Art Gallery of the Northern Territory\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eKluge-Ruhe Aboriginal Art Collection, University of Virginia\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSeattle Art Museum\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThe Holmes à Court Collection\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"border-width: medium medium 1pt; border-style: none none solid; border-color: currentcolor currentcolor rgb(221, 221, 221); padding: 0cm 0cm 4pt; text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHer Dreamings\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eBush Medicine Leaves (also called Leaves)\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThe work Gloria is famous for. The medicine leaves come from a range of native plants gathered across Utopia, prepared different ways depending on what's needed, boiled and drunk, crushed into a poultice, worked into a balm, or burned and smoked. The leaves change through the seasons, and Gloria painted them mid-fall, thousands of small strokes drifting across the canvas. She first developed the style in 1994 at Mosquito Bore, and her sisters, daughters and nieces have carried it on since.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAwelye (women’s ceremony and body paint)\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThe designs women wear across their chest and shoulders for ceremony. This was Gloria's earliest subject, going back to her batik work. The lines swirl and radiate the way the paint sits on the skin, often put on with the fingers.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eArnkerrthe (Mountain or Thorny Devil Lizard)\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eA small spiny desert lizard and one of Gloria's most important ancestral stories. Arnkerrthe travelled across her Country creating the sites, songs and stories, carrying a sac of ochre at its neck used for ceremony. Gloria's swirling design, which she called the “swirly ones”, stands for the thorny skin on its back.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAknangkere\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eGloria's own Country. Late in her career she developed a looser series called Aknangkere Growth, using lines of colour running across the canvas to show plant life regenerating on her homeland.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eGrass Seeds\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNative grass seed, a traditional bush food gathered and ground by the women. Gloria painted it in works like Sacred Grass, using a strong linear pattern with light dotting.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003ePencil Yam\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eA bush food with an edible root dug from the ground, one of the bush-food Dreamings shared across the Petyarre family and the wider Utopia group.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"border-width: medium medium 1pt; border-style: none none solid; border-color: currentcolor currentcolor rgb(221, 221, 221); padding: 0cm 0cm 4pt; text-align: center;\"\u003e\n\u003cdiv style=\"mso-element: para-border-div; border: none; border-bottom: solid #DDDDDD 1.0pt; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm 0cm 4.0pt 0cm;\"\u003e\n\u003cp style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAbout this painting\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"margin-bottom: 6pt; line-height: 115%;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThis painting can be hung vertically or horizontally.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 115%;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSigned by Gloria and supplied with a photo of Gloria alongside the finished work and a gallery Certificate of Authenticity. Purchased directly from the artist.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify; line-height: 115%;\" class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"GLORIA TAMERRE PETYARRE","offers":[{"title":"89CM X 124CM","offer_id":41580415680557,"sku":"GP163","price":7900.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/products\/GP163.jpg?v=1650439616"},{"product_id":"kudditji-kngwarreye-my-country-2","title":"KUDDITJI KNGWARREYE - My Country","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eKUDDITJI KNGWARREYE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eTITLE: MY COUNTRY\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eACRYLIC ON LINEN\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e125CM X 100CM\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eKUDDITJI HAS SIGNED THE PAINTING A PHOTO WILL BE PROVIDED.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eREF#KK167\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eBorn: c1928 -2017.  Utopia, Northern Territory\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eKnown as: Kudditji \u0026amp; Kuddtji, \"Goob\"\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eLanguage: Eastern Anmatyerre\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eDreaming’s: My Country, Emu Dreaming, Men’s Ceremony \u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e(Boundary Bore)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAbout the artist\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eKudditji Kngwarreye was a senior Anmatyerre elder from Alhalkere, on the Utopia homelands about 250 kilometres north-east of Alice Springs. He belonged to the Eastern Anmatyerre language group and was the younger brother, through kinship, of the celebrated artist Emily Kame Kngwarreye. Before he came to painting he lived a traditional bush life and worked as a cattle stockman and mine worker across Central Australia.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAs a custodian of many important Dreamings, Kudditji held ceremonial law for sites across his country, particularly around Boundary Bore, where men's initiation ceremonies are performed. His paintings carry the authority of that knowledge, and he was known to sing his stories quietly as he worked, infusing each canvas with the ancestors, the hunts and the seasons of Anmatyerre country.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eKudditji began painting in the mid-1980s in the fine dot style that galleries favoured at the time. His instinct, though, was for something looser and more gestural, and he gradually moved toward broad fields of colour he called My Country. The shift was not embraced at first, and for a period he was encouraged back toward conventional dot infill. From the early 2000s he returned with conviction to the abstract, loading his brush and laying down bold and softly blended blocks of colour to map the land and sky through their changing moods and seasons. This time the art world welcomed it.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eCritics have often likened these luminous colour fields to the work of Mark Rothko, and Kudditji became affectionately known as the \"Rothko of the bush\". The voice, however, is unmistakably his own, grounded in country rather than any Western school. He is now regarded as one of the most innovative contemporary Indigenous Australian artists of his generation.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSelected exhibitions\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2009 — Rêves Aborigènes, Musée d'Art et d'Histoire, Bormes-les-Mimosas, France\u003cbr\u003e2006 — Arken Museum of Modern Art, Copenhagen, Denmark\u003cbr\u003e2006 — Togart Contemporary Art Award, Darwin\u003cbr\u003e1992 — Tjukurrpa, Museum für Völkerkunde, Basel, Switzerland\u003cbr\u003e1991 — Central Australian Aboriginal Art and Craft Exhibition, Araluen Arts Centre, Alice Springs\u003cbr\u003e1990 — Contemporary Art from Australia, Art Dock, Nouméa, New Caledonia\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eRecognition and awards\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eIn 2006 Art Collector magazine named Kudditji one of Australia's 50 Most Collectable Artists. Gallery records also credit him with a First Prize at the Cape York Art Awards in 2001 for the painting \"Sorrow\", and a First Prize for works on paper in 1999 for the etching \"Spirits Dance\".\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eCollections\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHis work is held in public, university and private collections in Australia and overseas, including the Araluen Art Centre (Alice Springs), Macquarie University (New South Wales) and Artbank (the Australian Government art collection, Sydney), together with international private collections such as the Luciano Benetton Collection (Venice) and the Fondation Burkhardt-Felder Arts et Culture (Switzerland).\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThis painting was purchased directly from Kudditji, and a gallery certificate of authenticity will be provided with the sale.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"KUDDITJI KNGWARREYE","offers":[{"title":"125CM X 100CM","offer_id":41580448972845,"sku":"KK167","price":8600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/products\/KK167.jpg?v=1651551209"},{"product_id":"kudditji-kngwarreye-my-country-3","title":"KUDDITJI KNGWARREYE - My Country","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eKUDDITJI KNGWARREYE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eTITLE: MY COUNTRY\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eACRYLIC ON LINEN\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e93CM X 115CM\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eKUDDITJI HAS SIGNED THE PAINTING AND WORKING PHOTOS WILL BE PROVIDED.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eREF#KK169\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eBorn: c1928 -2017.  Utopia, Northern Territory\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eKnown as: Kudditji \u0026amp; Kuddtji, \"Goob\"\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eLanguage: Eastern Anmatyerre\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eDreaming’s: My Country, Emu Dreaming, Men’s Ceremony \u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e(Boundary Bore)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAbout the artist\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eKudditji Kngwarreye was a senior Anmatyerre elder from Alhalkere, on the Utopia homelands about 250 kilometres north-east of Alice Springs. He belonged to the Eastern Anmatyerre language group and was the younger brother, through kinship, of the celebrated artist Emily Kame Kngwarreye. Before he came to painting he lived a traditional bush life and worked as a cattle stockman and mine worker across Central Australia.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAs a custodian of many important Dreamings, Kudditji held ceremonial law for sites across his country, particularly around Boundary Bore, where men's initiation ceremonies are performed. His paintings carry the authority of that knowledge, and he was known to sing his stories quietly as he worked, infusing each canvas with the ancestors, the hunts and the seasons of Anmatyerre country.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eKudditji began painting in the mid-1980s in the fine dot style that galleries favoured at the time. His instinct, though, was for something looser and more gestural, and he gradually moved toward broad fields of colour he called My Country. The shift was not embraced at first, and for a period he was encouraged back toward conventional dot infill. From the early 2000s he returned with conviction to the abstract, loading his brush and laying down bold and softly blended blocks of colour to map the land and sky through their changing moods and seasons. This time the art world welcomed it.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eCritics have often likened these luminous colour fields to the work of Mark Rothko, and Kudditji became affectionately known as the \"Rothko of the bush\". The voice, however, is unmistakably his own, grounded in country rather than any Western school. He is now regarded as one of the most innovative contemporary Indigenous Australian artists of his generation.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSelected exhibitions\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2009 — Rêves Aborigènes, Musée d'Art et d'Histoire, Bormes-les-Mimosas, France\u003cbr\u003e2006 — Arken Museum of Modern Art, Copenhagen, Denmark\u003cbr\u003e2006 — Togart Contemporary Art Award, Darwin\u003cbr\u003e1992 — Tjukurrpa, Museum für Völkerkunde, Basel, Switzerland\u003cbr\u003e1991 — Central Australian Aboriginal Art and Craft Exhibition, Araluen Arts Centre, Alice Springs\u003cbr\u003e1990 — Contemporary Art from Australia, Art Dock, Nouméa, New Caledonia\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eRecognition and awards\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eIn 2006 Art Collector magazine named Kudditji one of Australia's 50 Most Collectable Artists. Gallery records also credit him with a First Prize at the Cape York Art Awards in 2001 for the painting \"Sorrow\", and a First Prize for works on paper in 1999 for the etching \"Spirits Dance\".\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eCollections\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHis work is held in public, university and private collections in Australia and overseas, including the Araluen Art Centre (Alice Springs), Macquarie University (New South Wales) and Artbank (the Australian Government art collection, Sydney), together with international private collections such as the Luciano Benetton Collection (Venice) and the Fondation Burkhardt-Felder Arts et Culture (Switzerland).\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThis painting was purchased directly from Kudditji, and a gallery certificate of authenticity will be provided with the sale.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"KUDDITJI KNGWARREYE","offers":[{"title":"93CM X 115CM","offer_id":41580449136685,"sku":"KK169","price":8000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/products\/KK169-2.jpg?v=1651711196"},{"product_id":"kathleen-petyarre-bush-seeds","title":"KATHLEEN PETYARRE - Bush Seeds","description":"\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003ch2 style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eKATHLEEN PETYARRE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e TITLE: BUSH SEEDS\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eACRYLIC ON LINEN\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e101CM X 121CM\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eKATHLEEN HAS SIGNED THE PAINTING AND A PHOTO OF KATHLEEN WITH HER PAINTING WILL BE PROVIDED.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eREF#KP186\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDOB: 1940s - 2018.  Utopia   Northern Territory\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eLanguage: Eastern Anmatyerre\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDreaming’s: My Country, Bush Seeds, Thorny Devil Lizard\/Mountain Devil Lizard (Arnkerrthe), Women’s Hunting, Emu\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eKathleen is considered one of Australia’s most prominent artists and one of the Top 50 most Collectable Artists in Australia by the Australian Art Collector Magazine.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eShe is one of the affectionately named; ‘Petyarre Sisters’ which includes; Jean Petyarre, Ada Bird Petyarre, Gloria Petyarre, Nancy Petyarre, Violet Petyarre, Myrtle Petyarre who are all talented, sought-after indigenous artists.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eKathleen’s paintings are related to her ancestral country and the dreaming’s passed down to her including women’s hunting, gathering of bush seeds, emu, dingo, and Thorny Devil Lizard\/Mountain Devil Lizard.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eKathleen was also a prominent Aboriginal activist who helped claim the freehold title of Utopia to the traditional owners in 1979. Sadly, Kathleen passed away in 2018.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eThis painting was purchased directly from Kathleen and a gallery certificate of authenticity will be provided with the sale.\u003c\/strong\u003e\u003c\/div\u003e","brand":"KATHLEEN PETYARRE","offers":[{"title":"101CM X 121CM","offer_id":41580443500589,"sku":"KP186","price":12500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/products\/KP186-3.jpg?v=1656122202"},{"product_id":"gloria-tamerre-petyarre-bush-medicine-leaves-8","title":"GLORIA TAMERRE PETYARRE - Bush Medicine Leaves","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cb\u003eGLORIA TAMERRE PETYARRE \u003c\/b\u003e\u003c\/h2\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cb\u003eTITLE: BUSH MEDICINE LEAVES\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003eACRYLIC ON LINEN\u003c\/b\u003e\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cb\u003e99CM X 124CM\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003eGLORIA HAS SIGNED THE PAINTING AND A PHOTO OF GLORIA WITH HER WORK WILL BE PROVIDED\u003c\/b\u003e\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cb\u003eREF#GP202\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003eDOB: 1945-2021.  Utopia   Northern Territory\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003eKnown as: Gloria Petyarre, Gloria Pitjara, Gloria Tamerre Petyarre\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003eLanguage: Anmatyerre\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003eDreaming’s: Leaves, Bush Medicine leaves, Grass seeds, Pencil Yam, Awelye (women’s ceremony and body paint designs), Arnkerrthe (Mountain or Thorny Devil Lizard) and Aknangkere \u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8pt; line-height: 115%; text-align: center;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eGloria Petyarre was one of the most important artists to come out of Utopia, the Anmatyerre and Alyawarr homelands about 270km north-east of Alice Springs. She was born there around 1945, spoke Anmatyerre, and her Country is Aknangkere.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8pt; line-height: 115%; text-align: center;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eShe was one of the seven Petyarre sisters, alongside Ada Bird, Jean, Kathleen, Myrtle, Nancy and Violet, in a family that has produced some of the most collected work in Aboriginal art. Gloria started out in the Utopia women's batik group in the late 1970s and moved to painting on canvas in 1988, her early work growing out of Awelye, the women's ceremonial body paint.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8pt; line-height: 115%; text-align: center;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eShe is best known for her Bush Medicine Leaves paintings, where the leaves drift and swirl across the canvas as though caught in the wind. In 1999 she won the Wynne Prize for landscape at the Art Gallery of New South Wales for one of these works, the first Aboriginal artist to take out that award. She passed away in June 2021.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"border-width: medium medium 1pt; border-style: none none solid; border-color: currentcolor currentcolor rgb(221, 221, 221); padding: 0cm 0cm 4pt; text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAwards and commissions\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1999\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eWinner, Wynne Prize for landscape, Art Gallery of New South Wales, the first Aboriginal artist to win it\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2004\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eHighly Commended, Wynne Prize, Art Gallery of New South Wales\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eFinalist in the Wynne Prize in later years, and in the National Aboriginal and Torres Strait Islander Art Awards in Darwin\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2009\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eCommissioned by Hermès, the first Australian artist the house had worked with, her Leaves design produced as a silk scarf titled Le Rêve de Gloria\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1993\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eDesigned a pair of tapestries woven by the Victorian Tapestry Workshop in Melbourne, now the Australian Tapestry Workshop\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1992 to 1993\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eCreated a forty foot mural with her husband Ronnie Price Mpetyane at the entrance to the Australian exhibit at the Kansas City Zoo, which won an American Institute of Architects award in 1994\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"border-width: medium medium 1pt; border-style: none none solid; border-color: currentcolor currentcolor rgb(221, 221, 221); padding: 0cm 0cm 4pt; text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNotable exhibitions\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1990 to 1991\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eUtopia: A Picture Story, touring Ireland, London and India as well as Adelaide and Melbourne, with Gloria travelling as a representative of the Utopia women\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1991\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eAboriginal Women’s Exhibition, Art Gallery of New South Wales, touring\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eUtopia Body Paint: Art from Australia’s Central Desert, touring twelve venues across North America\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eExhibited at the National Gallery of Australia, Canberra\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"border-width: medium medium 1pt; border-style: none none solid; border-color: currentcolor currentcolor rgb(221, 221, 221); padding: 0cm 0cm 4pt; text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eCollections\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNational Gallery of Australia\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eArt Gallery of New South Wales (seven works)\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNational Gallery of Victoria\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eArt Gallery of South Australia\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eQueensland Art Gallery\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eMuseum and Art Gallery of the Northern Territory\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eKluge-Ruhe Aboriginal Art Collection, University of Virginia\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSeattle Art Museum\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThe Holmes à Court Collection\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"border-width: medium medium 1pt; border-style: none none solid; border-color: currentcolor currentcolor rgb(221, 221, 221); padding: 0cm 0cm 4pt; text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHer Dreamings\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eBush Medicine Leaves (also called Leaves)\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThe work Gloria is famous for. The medicine leaves come from a range of native plants gathered across Utopia, prepared different ways depending on what's needed, boiled and drunk, crushed into a poultice, worked into a balm, or burned and smoked. The leaves change through the seasons, and Gloria painted them mid-fall, thousands of small strokes drifting across the canvas. She first developed the style in 1994 at Mosquito Bore, and her sisters, daughters and nieces have carried it on since.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAwelye (women’s ceremony and body paint)\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThe designs women wear across their chest and shoulders for ceremony. This was Gloria's earliest subject, going back to her batik work. The lines swirl and radiate the way the paint sits on the skin, often put on with the fingers.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eArnkerrthe (Mountain or Thorny Devil Lizard)\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eA small spiny desert lizard and one of Gloria's most important ancestral stories. Arnkerrthe travelled across her Country creating the sites, songs and stories, carrying a sac of ochre at its neck used for ceremony. Gloria's swirling design, which she called the “swirly ones”, stands for the thorny skin on its back.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAknangkere\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eGloria's own Country. Late in her career she developed a looser series called Aknangkere Growth, using lines of colour running across the canvas to show plant life regenerating on her homeland.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eGrass Seeds\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNative grass seed, a traditional bush food gathered and ground by the women. Gloria painted it in works like Sacred Grass, using a strong linear pattern with light dotting.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003ePencil Yam\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eA bush food with an edible root dug from the ground, one of the bush-food Dreamings shared across the Petyarre family and the wider Utopia group.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"border-width: medium medium 1pt; border-style: none none solid; border-color: currentcolor currentcolor rgb(221, 221, 221); padding: 0cm 0cm 4pt; text-align: center;\"\u003e\n\u003cdiv style=\"mso-element: para-border-div; border: none; border-bottom: solid #DDDDDD 1.0pt; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm 0cm 4.0pt 0cm;\"\u003e\n\u003cp style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAbout this painting\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"margin-bottom: 6pt; line-height: 115%;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThis painting can be hung vertically or horizontally.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 115%;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSigned by Gloria and supplied with a photo of Gloria alongside the finished work and a gallery Certificate of Authenticity. Purchased directly from the artist.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify; line-height: 115%;\" class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"GLORIA TAMERRE PETYARRE","offers":[{"title":"99CM X 124CM","offer_id":41580416073773,"sku":"GP202","price":8000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/products\/GP202.jpg?v=1659917450"},{"product_id":"makinti-napanangka-untitled-1","title":"MAKINTI NAPANANGKA - Untitled","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eMAKINTI NAPANANGKA\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e TITLE: UNTITLED\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eACRYLIC ON CANVAS\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e208CM X 149CM\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eMAKINTI HAS SIGNED THE PAINTING AND A PHOTO WILL BE PROVIDED\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eREF#MN205\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eBorn: c. 1930 - 2011. Karrkurritinytja (Lake MacDonald), Western Desert Region\u003cbr\u003eLanguage: Pintupi\u003cbr\u003eCommunity: Kintore (Walungurru), Northern Territory\u003cbr\u003eDreamings: Kungka Kutjarra (Two Women), Lupulnga, Hair String, Body Paint (Women's Ceremony), Kuningka (Western Quoll)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eMakinti Napanangka was born around 1930 in the country around Karrkurritinytja, the great salt lake known to mapmakers as Lake MacDonald, where the Northern Territory gives way to Western Australia. It is old country, a pale sweep of salt and spinifex ringed by low tali sandhills that shift colour as the sun moves across them, and it holds the rockholes and ceremonial sites that Makinti carried with her for the rest of her life. She grew up living the traditional Pintupi way, and her first sight of white people came when she watched men travelling by camel near Lupul. In the early 1940s she walked in to Haasts Bluff with her family, long before Papunya was built. She later lived at Papunya, and settled at Kintore when that community was established.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHer painting life began late and moved quickly. She was one of the senior women who took part in the collaborative Haasts Bluff and Kintore women's painting project, a body of major canvases completed in 1994 and shown at the Tandanya National Aboriginal Cultural Institute in Adelaide. That project marked the point at which Pintupi women stepped forward as independent artists in the Western Desert movement, rather than working as helpers on paintings belonging to their husbands and brothers. In 1996 Makinti began painting for Papunya Tula Artists, alongside her cousin and painting companion Tatali Nangala, and she went on to become the most senior woman painting with the company as well as a shareholder and director of it.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eWhat set her apart was her hand. Where much Western Desert painting is built up through the patient placing of dots with a fine stick, Makinti worked with a loaded brush and a gestural sweep that came straight out of the way ochre is drawn across the body for women's ceremony. Her canvases are layered, thick with paint, alive with movement. Bands of pale line arc and twist across grounds of orange and ochre, lit up with bursts of pink, mauve and yellow. The effect is less a map of country than the feel of country, the rhythm of feet and song and skirts turning in the dust.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eRecognition came steadily. Australian Art Collector magazine named her one of Australia's 50 Most Collectable Artists three years running, in 2003, 2004 and 2005, and she was a repeated finalist in the National Aboriginal and Torres Strait Islander Art Award through that decade before taking out the top prize in 2008. By then her work was being acquired by every major public collection in the country, and Utopia Art Sydney's director had described her as the Central Desert's finest painter since Emily Kngwarreye, with no living match for her painterly freedom.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eTowards the end of her painting career Makinti's eyesight was failing, but it did not dampen her passion for painting. She would visit our family home, fondly called the farm, and ask for vibrant acrylic paints so she could take them home and later come back with her vivid, colourful canvases.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eMakinti passed away on 9 January 2011 at Alice Springs. Later that year she was posthumously appointed a Member of the Order of Australia (AM) in the Queen's Birthday Honours, recognised for her service to the arts as a contemporary Indigenous artist and for her role among the women painters of the Western Desert art movement.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHER DREAMINGS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKungka Kutjarra (Two Women) \u003c\/span\u003e— The Two Ancestral Women travelled enormous distances across the desert in the creation time, hundreds of kilometres of it, stopping at rockholes, camping, gathering food and performing ceremony as they went. Their journey is one of the great shared stories of the Western Desert, sung and painted by Pintupi, Warlpiri and Pitjantjatjara people alike. Makinti painted the line of their travels and the ceremonies they left behind.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLupulnga\u003c\/span\u003e — A rockhole site south of Kintore, and the place most closely bound to Makinti's name. Water in this country is everything, and a rockhole is not simply a waterhole but a living site of law, ceremony and belonging. Seen from above, as so many desert artists see their country, the site sits within the pale ring of surrounding sandhills like the still centre of the whole landscape. It was an untitled painting of Lupulnga that won her the nation's top Indigenous art prize.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eHair String\u003c\/span\u003e — Pintupi women spin string from human hair and wear it as skirts and belts during ceremony, the loose strands swinging and lifting as they dance. The looping, flowing bands of colour running through Makinti's work are these skirts in motion. It is a subject she made entirely her own, until the twisting line became her signature.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBody Paint (Women's Ceremony) \u003c\/span\u003e— The designs painted onto women's bodies for ceremony, distilled down to their essential shapes and let loose across the canvas. Makinti did not so much depict these designs as perform them, using the same broad, confident sweep of the hand that lays ochre onto skin.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKuningka (Western Quoll) \u003c\/span\u003e— A small native carnivore of the desert country, now vanished from much of its old range. In Makinti's work it appears in the roundels and circles that sit among the flowing lines.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAWARDS AND RECOGNITION\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2011 Member of the Order of Australia (AM), Queen's Birthday Honours, awarded posthumously\u003cbr\u003e2010 Alice Prize, Alice Springs — Finalist\u003cbr\u003e2009 26th National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003cbr\u003e2008 25th National Aboriginal and Torres Strait Islander Art Award, Darwin — Winner, for an untitled painting of Lupulnga\u003cbr\u003e2004 Wynne Prize, Art Gallery of New South Wales — Finalist\u003cbr\u003e2003, 2004 and 2005 Named one of Australia's 50 Most Collectable Artists, Australian Art Collector magazine, three consecutive years\u003cbr\u003e2003 Clemenger Contemporary Art Award, National Gallery of Victoria — Finalist\u003cbr\u003e2003 20th National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003cbr\u003e1997, 1998, 2001, 2002 National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSELECTED EXHIBITIONS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1995 Minyma Tjukurrpa: Kintore and Haasts Bluff Canvas Project, Tandanya National Aboriginal Cultural Institute, Adelaide\u003cbr\u003e2000 Papunya Tula: Genesis and Genius, Art Gallery of New South Wales, Sydney\u003cbr\u003e2003 Emerge, Museum and Art Gallery of the Northern Territory, Darwin\u003cbr\u003e2003 Clemenger Contemporary Art Award, National Gallery of Victoria, Melbourne\u003cbr\u003e2005 to 2006 Luminous: Contemporary Art from the Australian Desert, touring regional galleries in New South Wales, Victoria and South Australia\u003cbr\u003e2012 18th Biennale of Sydney, All Our Relations\u003cbr\u003e2012 Ancestral Modern: Australian Aboriginal Art from the Kaplan and Levi Collection, Seattle Art Museum, USA\u003cbr\u003e2013 Crossing Cultures: The Owen and Wagner Collection of Contemporary Aboriginal Australian Art, Toledo Museum of Art, USA\u003cbr\u003e2015 Tarnanthi: Festival of Contemporary Aboriginal and Torres Strait Islander Art, Art Gallery of South Australia, Adelaide\u003cbr\u003e2016 Artist's Hand, Collectors' Eye: The Angel Gift, National Gallery of Victoria, Melbourne\u003cbr\u003e2019 Borrowed Scenery, Campbelltown Arts Centre, Sydney\u003cbr\u003e2021 Papunya Tula: 50 Years, S.H. Ervin Gallery, Sydney\u003cbr\u003e2022 Irrititja Kuwarri Tjungu: Past and Present Together, Kluge-Ruhe Aboriginal Art Collection, University of Virginia, USA\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNational Gallery of Australia, Canberra\u003cbr\u003eArt Gallery of New South Wales, Sydney\u003cbr\u003eNational Gallery of Victoria, Melbourne\u003cbr\u003eQueensland Art Gallery and Gallery of Modern Art, Brisbane\u003cbr\u003eMuseum and Art Gallery of the Northern Territory, Darwin\u003cbr\u003eUniversity of Melbourne Art Collection\u003cbr\u003eSeattle Art Museum, USA\u003cbr\u003eHood Museum of Art, Dartmouth College, USA\u003cbr\u003eKluge-Ruhe Aboriginal Art Collection, University of Virginia, USA\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThis painting was purchased directly from Makinti, and a gallery certificate of authenticity will be provided with the sale.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Cormorant bold',serif;\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"MAKINTI NAPANANGKA","offers":[{"title":"208CM X 149CM","offer_id":41580455526445,"sku":"MN205","price":44500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/products\/MN205-6.jpg?v=1660266850"},{"product_id":"kathleen-petyarre-arnkerrthe-3","title":"KATHLEEN PETYARRE - Arnkerrthe","description":"\u003ch2 style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eKATHLEEN PETYARRE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e TITLE: ARNKERRTHE (MOUNTAIN DEVIL LIZARD)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eACRYLIC ON CANVAS\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e88CM X 69CM\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eKATHLEEN HAS SIGNED THE PAINTING AND A PHOTO WITH HER PAINTING WILL BE PROVIDED\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eREF#KP215\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDOB: 1940s - 2018.  Utopia   Northern Territory\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eLanguage: Eastern Anmatyerre\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDreaming’s: My Country, Bush Seeds, Thorny Devil Lizard\/Mountain Devil Lizard (Arnkerrthe), Women’s Hunting, Emu\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eKathleen is one of Australia’s most prominent artists. Considered one of the Top 50 most Collectable Artists in Australia by the Australian Art Collector Magazine.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eShe is one of the affectionately named; ‘Petyarre Sisters’ which includes; Jean Petyarre, Ada Bird Petyarre, Gloria Petyarre, Nancy Petyarre, Violet Petyarre, Myrtle Petyarre who are all talented, sought-after indigenous artists.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cb data-mce-fragment=\"1\"\u003eKathleen’s paintings are related to her ancestral country and the dreaming’s passed down to her including women’s hunting, gathering of bush seeds, emu, dingo, and Thorny Devil Lizard\/Mountain Devil Lizard. Her sisters paintings of the Thorny Devil are related to the appearance of the lizard whereas Kathleen's paintings are related to the Lizards journey across her ancestral lands. \u003c\/b\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cp style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eKathleen was also a prominent Aboriginal activist who helped claim the freehold title of Utopia to the traditional owners in 1979. Sadly, Kathleen passed away in 2018.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003ePlease note: This painting was not produced in a sterile studio. Kathleen would paint around her extended family whilst on the ground. She \u003c\/strong\u003e\u003cstrong\u003ewould sit on her painting and lean over her work and there are a few smudges. \u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eWe our best to provide the most accurate photo in terms of colour however, colour  variations will happen depending on the source of light and computer devices.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eIf you would like to contact me we can arrange video footage\/facetime or more photos for your viewing.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eThis painting was purchased directly from Kathleen and a gallery certificate of authenticity will be provided with the sale.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e","brand":"KATHLEEN PETYARRE","offers":[{"title":"88CM X 69CM","offer_id":41580442943533,"sku":"KP215","price":9500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/products\/KP215.jpg?v=1663116439"},{"product_id":"makinti-napanangka-untitled-3","title":"MAKINTI NAPANANGKA - Untitled","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eMAKINTI NAPANANGKA\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e TITLE: UNTITLED\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eACRYLIC ON CANVAS\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e70CM X 86.5CM\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eMAKINTI HAS SIGNED THE PAINTING AND A PHOTO WILL BE PROVIDED\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eREF#MN274\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eBorn: c. 1930 - 2011. Karrkurritinytja (Lake MacDonald), Western Desert Region\u003cbr\u003eLanguage: Pintupi\u003cbr\u003eCommunity: Kintore (Walungurru), Northern Territory\u003cbr\u003eDreamings: Kungka Kutjarra (Two Women), Lupulnga, Hair String, Body Paint (Women's Ceremony), Kuningka (Western Quoll)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eMakinti Napanangka was born around 1930 in the country around Karrkurritinytja, the great salt lake known to mapmakers as Lake MacDonald, where the Northern Territory gives way to Western Australia. It is old country, a pale sweep of salt and spinifex ringed by low tali sandhills that shift colour as the sun moves across them, and it holds the rockholes and ceremonial sites that Makinti carried with her for the rest of her life. She grew up living the traditional Pintupi way, and her first sight of white people came when she watched men travelling by camel near Lupul. In the early 1940s she walked in to Haasts Bluff with her family, long before Papunya was built. She later lived at Papunya, and settled at Kintore when that community was established.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHer painting life began late and moved quickly. She was one of the senior women who took part in the collaborative Haasts Bluff and Kintore women's painting project, a body of major canvases completed in 1994 and shown at the Tandanya National Aboriginal Cultural Institute in Adelaide. That project marked the point at which Pintupi women stepped forward as independent artists in the Western Desert movement, rather than working as helpers on paintings belonging to their husbands and brothers. In 1996 Makinti began painting for Papunya Tula Artists, alongside her cousin and painting companion Tatali Nangala, and she went on to become the most senior woman painting with the company as well as a shareholder and director of it.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eWhat set her apart was her hand. Where much Western Desert painting is built up through the patient placing of dots with a fine stick, Makinti worked with a loaded brush and a gestural sweep that came straight out of the way ochre is drawn across the body for women's ceremony. Her canvases are layered, thick with paint, alive with movement. Bands of pale line arc and twist across grounds of orange and ochre, lit up with bursts of pink, mauve and yellow. The effect is less a map of country than the feel of country, the rhythm of feet and song and skirts turning in the dust.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eRecognition came steadily. Australian Art Collector magazine named her one of Australia's 50 Most Collectable Artists three years running, in 2003, 2004 and 2005, and she was a repeated finalist in the National Aboriginal and Torres Strait Islander Art Award through that decade before taking out the top prize in 2008. By then her work was being acquired by every major public collection in the country, and Utopia Art Sydney's director had described her as the Central Desert's finest painter since Emily Kngwarreye, with no living match for her painterly freedom.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eTowards the end of her painting career Makinti's eyesight was failing, but it did not dampen her passion for painting. She would visit our family home, fondly called the farm, and ask for vibrant acrylic paints so she could take them home and later come back with her vivid, colourful canvases.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eMakinti passed away on 9 January 2011 at Alice Springs. Later that year she was posthumously appointed a Member of the Order of Australia (AM) in the Queen's Birthday Honours, recognised for her service to the arts as a contemporary Indigenous artist and for her role among the women painters of the Western Desert art movement.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHER DREAMINGS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKungka Kutjarra (Two Women) \u003c\/span\u003e— The Two Ancestral Women travelled enormous distances across the desert in the creation time, hundreds of kilometres of it, stopping at rockholes, camping, gathering food and performing ceremony as they went. Their journey is one of the great shared stories of the Western Desert, sung and painted by Pintupi, Warlpiri and Pitjantjatjara people alike. Makinti painted the line of their travels and the ceremonies they left behind.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLupulnga\u003c\/span\u003e — A rockhole site south of Kintore, and the place most closely bound to Makinti's name. Water in this country is everything, and a rockhole is not simply a waterhole but a living site of law, ceremony and belonging. Seen from above, as so many desert artists see their country, the site sits within the pale ring of surrounding sandhills like the still centre of the whole landscape. It was an untitled painting of Lupulnga that won her the nation's top Indigenous art prize.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eHair String\u003c\/span\u003e — Pintupi women spin string from human hair and wear it as skirts and belts during ceremony, the loose strands swinging and lifting as they dance. The looping, flowing bands of colour running through Makinti's work are these skirts in motion. It is a subject she made entirely her own, until the twisting line became her signature.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBody Paint (Women's Ceremony) \u003c\/span\u003e— The designs painted onto women's bodies for ceremony, distilled down to their essential shapes and let loose across the canvas. Makinti did not so much depict these designs as perform them, using the same broad, confident sweep of the hand that lays ochre onto skin.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKuningka (Western Quoll) \u003c\/span\u003e— A small native carnivore of the desert country, now vanished from much of its old range. In Makinti's work it appears in the roundels and circles that sit among the flowing lines.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAWARDS AND RECOGNITION\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2011 Member of the Order of Australia (AM), Queen's Birthday Honours, awarded posthumously\u003cbr\u003e2010 Alice Prize, Alice Springs — Finalist\u003cbr\u003e2009 26th National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003cbr\u003e2008 25th National Aboriginal and Torres Strait Islander Art Award, Darwin — Winner, for an untitled painting of Lupulnga\u003cbr\u003e2004 Wynne Prize, Art Gallery of New South Wales — Finalist\u003cbr\u003e2003, 2004 and 2005 Named one of Australia's 50 Most Collectable Artists, Australian Art Collector magazine, three consecutive years\u003cbr\u003e2003 Clemenger Contemporary Art Award, National Gallery of Victoria — Finalist\u003cbr\u003e2003 20th National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003cbr\u003e1997, 1998, 2001, 2002 National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSELECTED EXHIBITIONS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1995 Minyma Tjukurrpa: Kintore and Haasts Bluff Canvas Project, Tandanya National Aboriginal Cultural Institute, Adelaide\u003cbr\u003e2000 Papunya Tula: Genesis and Genius, Art Gallery of New South Wales, Sydney\u003cbr\u003e2003 Emerge, Museum and Art Gallery of the Northern Territory, Darwin\u003cbr\u003e2003 Clemenger Contemporary Art Award, National Gallery of Victoria, Melbourne\u003cbr\u003e2005 to 2006 Luminous: Contemporary Art from the Australian Desert, touring regional galleries in New South Wales, Victoria and South Australia\u003cbr\u003e2012 18th Biennale of Sydney, All Our Relations\u003cbr\u003e2012 Ancestral Modern: Australian Aboriginal Art from the Kaplan and Levi Collection, Seattle Art Museum, USA\u003cbr\u003e2013 Crossing Cultures: The Owen and Wagner Collection of Contemporary Aboriginal Australian Art, Toledo Museum of Art, USA\u003cbr\u003e2015 Tarnanthi: Festival of Contemporary Aboriginal and Torres Strait Islander Art, Art Gallery of South Australia, Adelaide\u003cbr\u003e2016 Artist's Hand, Collectors' Eye: The Angel Gift, National Gallery of Victoria, Melbourne\u003cbr\u003e2019 Borrowed Scenery, Campbelltown Arts Centre, Sydney\u003cbr\u003e2021 Papunya Tula: 50 Years, S.H. Ervin Gallery, Sydney\u003cbr\u003e2022 Irrititja Kuwarri Tjungu: Past and Present Together, Kluge-Ruhe Aboriginal Art Collection, University of Virginia, USA\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNational Gallery of Australia, Canberra\u003cbr\u003eArt Gallery of New South Wales, Sydney\u003cbr\u003eNational Gallery of Victoria, Melbourne\u003cbr\u003eQueensland Art Gallery and Gallery of Modern Art, Brisbane\u003cbr\u003eMuseum and Art Gallery of the Northern Territory, Darwin\u003cbr\u003eUniversity of Melbourne Art Collection\u003cbr\u003eSeattle Art Museum, USA\u003cbr\u003eHood Museum of Art, Dartmouth College, USA\u003cbr\u003eKluge-Ruhe Aboriginal Art Collection, University of Virginia, USA\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThis painting was purchased directly from Makinti, and a gallery certificate of authenticity will be provided with the sale.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Cormorant bold',serif;\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"MAKINTI NAPANANGKA","offers":[{"title":"70CM X 86.5CM","offer_id":41580455755821,"sku":"MN274","price":7995.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/products\/MN274.jpg?v=1676851028"},{"product_id":"kathleen-ngale-anwekety","title":"KATHLEEN NGALE - Anwekety","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eKATHLEEN NGALE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e TITLE: ANWEKETY\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eACRYLIC ON CANVAS\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e165.5CM X 104CM\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eKATHLEEN HAS SIGNED THE PAINTING AND A PHOTO OF KATHLEEN WITH HER PAINTING WILL BE PROVIDED.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eREF#KN283\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eDOB: c1934-2021 - Utopia, Northern Territory\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eAlso known as: Kathleen Ngala\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eLanguage: Anmatyerre\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eDreaming’s: Anwekety (Conkerberry\/Bush Plum)\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp data-end=\"388\" data-start=\"142\"\u003e\u003cstrong\u003eKathleen Ngale Pwerle began her artistic journey in the late 1970s, working with batik alongside other women in the Utopia region. This early movement became a significant moment in Aboriginal art history, documented in \u003cem data-end=\"387\" data-start=\"362\"\u003eUtopia: A Picture Story\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"819\" data-start=\"390\"\u003e\u003cstrong\u003eBy the 1980s, Kathleen transitioned to acrylic on canvas, where her practice truly flourished. She became widely recognised for her vibrant yet beautifully minimal depictions of \u003cem data-end=\"578\" data-start=\"568\"\u003eAnwekety\u003c\/em\u003e (Bush Plum), a subject deeply connected to her Country and cultural knowledge. Her works are celebrated for their balance, movement, and striking simplicity—making them highly sought after by collectors across Australia and internationally.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"972\" data-start=\"821\"\u003e\u003cstrong\u003eKathleen came from a renowned family of artists, including her sisters Polly Ngale and Angelina Ngale Pwerle, both highly respected in their own right.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1375\" data-start=\"974\"\u003e\u003cstrong\u003eThe Bush Plum is a significant plant in her culture. After rain, it produces delicate, fragrant flowers before ripening into a small, sweet black fruit, often referred to as Conkerberry. Traditionally, women would collect the fruit, soak it in water before eating, or dry and store it. The plant also holds important medicinal properties, with its bark and roots used in traditional healing practices.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1526\" data-start=\"1377\"\u003e\u003cstrong\u003eThis exceptional painting, created in 2007, is a powerful example of Kathleen’s signature style—refined, expressive, and deeply connected to Country.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1705\" data-start=\"1528\"\u003e\u003cstrong\u003eKathleen passed away in 2021, followed by her sister Polly in 2022. Their legacy continues through their artworks, which remain an important part of contemporary Aboriginal art.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1809\" data-start=\"1707\"\u003e\u003cstrong\u003eThis piece was acquired directly from the artist and comes with a gallery certificate of authenticity.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"KATHLEEN NGALE","offers":[{"title":"165.5CM X 104CM","offer_id":41601517223981,"sku":"KP283","price":9800.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/products\/KP283.jpg?v=1678664589"},{"product_id":"kudditji-kngwarreye-my-country-7","title":"KUDDITJI KNGWARREYE - My Country","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eKUDDITJI KNGWARREYE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eTITLE: MY COUNTRY\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eACRYLIC ON LINEN\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e123.5CM X 99CM\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eKUDDITJI HAS SIGNED THE PAINTING A PHOTO WILL BE PROVIDED.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eREF#KK305\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eBorn: c1928 -2017.  Utopia, Northern Territory\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eKnown as: Kudditji \u0026amp; Kuddtji, \"Goob\"\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eLanguage: Eastern Anmatyerre\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eDreaming’s: My Country, Emu Dreaming, Men’s Ceremony \u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e(Boundary Bore)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAbout the artist\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eKudditji Kngwarreye was a senior Anmatyerre elder from Alhalkere, on the Utopia homelands about 250 kilometres north-east of Alice Springs. He belonged to the Eastern Anmatyerre language group and was the younger brother, through kinship, of the celebrated artist Emily Kame Kngwarreye. Before he came to painting he lived a traditional bush life and worked as a cattle stockman and mine worker across Central Australia.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAs a custodian of many important Dreamings, Kudditji held ceremonial law for sites across his country, particularly around Boundary Bore, where men's initiation ceremonies are performed. His paintings carry the authority of that knowledge, and he was known to sing his stories quietly as he worked, infusing each canvas with the ancestors, the hunts and the seasons of Anmatyerre country.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eKudditji began painting in the mid-1980s in the fine dot style that galleries favoured at the time. His instinct, though, was for something looser and more gestural, and he gradually moved toward broad fields of colour he called My Country. The shift was not embraced at first, and for a period he was encouraged back toward conventional dot infill. From the early 2000s he returned with conviction to the abstract, loading his brush and laying down bold and softly blended blocks of colour to map the land and sky through their changing moods and seasons. This time the art world welcomed it.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eCritics have often likened these luminous colour fields to the work of Mark Rothko, and Kudditji became affectionately known as the \"Rothko of the bush\". The voice, however, is unmistakably his own, grounded in country rather than any Western school. He is now regarded as one of the most innovative contemporary Indigenous Australian artists of his generation.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSelected exhibitions\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2009 — Rêves Aborigènes, Musée d'Art et d'Histoire, Bormes-les-Mimosas, France\u003cbr\u003e2006 — Arken Museum of Modern Art, Copenhagen, Denmark\u003cbr\u003e2006 — Togart Contemporary Art Award, Darwin\u003cbr\u003e1992 — Tjukurrpa, Museum für Völkerkunde, Basel, Switzerland\u003cbr\u003e1991 — Central Australian Aboriginal Art and Craft Exhibition, Araluen Arts Centre, Alice Springs\u003cbr\u003e1990 — Contemporary Art from Australia, Art Dock, Nouméa, New Caledonia\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eRecognition and awards\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eIn 2006 Art Collector magazine named Kudditji one of Australia's 50 Most Collectable Artists. Gallery records also credit him with a First Prize at the Cape York Art Awards in 2001 for the painting \"Sorrow\", and a First Prize for works on paper in 1999 for the etching \"Spirits Dance\".\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eCollections\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHis work is held in public, university and private collections in Australia and overseas, including the Araluen Art Centre (Alice Springs), Macquarie University (New South Wales) and Artbank (the Australian Government art collection, Sydney), together with international private collections such as the Luciano Benetton Collection (Venice) and the Fondation Burkhardt-Felder Arts et Culture (Switzerland).\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThis painting was purchased directly from Kudditji, and a gallery certificate of authenticity will be provided with the sale.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"KUDDITJI KNGWARREYE","offers":[{"title":"Default Title","offer_id":41629230333997,"sku":"KK305","price":8500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/files\/KK305.jpg?v=1683071927"},{"product_id":"gloria-tamerre-petyarre-bush-medicine-leaves-14","title":"GLORIA TAMERRE PETYARRE -  Bush Medicine leaves","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cb\u003eGLORIA TAMERRE PETYARRE \u003c\/b\u003e\u003c\/h2\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cb\u003eTITLE: BUSH MEDICINE LEAVES\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003eACRYLIC ON LINEN\u003c\/b\u003e\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cb\u003e149CM X 70CM\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003eGLORIA HAS SIGNED THE PAINTING AND WORKING PHOTOS OF GLORIA PAINTING THIS MAGNIFICENT PAINTING!\u003c\/b\u003e\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cb\u003eREF#GP310\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003eDOB: 1945-2021.  Utopia   Northern Territory\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003eKnown as: Gloria Petyarre, Gloria Pitjara, Gloria Tamerre Petyarre\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003eLanguage: Anmatyerre\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003eDreaming’s: Leaves, Bush Medicine leaves, Grass seeds, Pencil Yam, Awelye (women’s ceremony and body paint designs), Arnkerrthe (Mountain or Thorny Devil Lizard) and Aknangkere \u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8pt; line-height: 115%; text-align: center;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eGloria Petyarre was one of the most important artists to come out of Utopia, the Anmatyerre and Alyawarr homelands about 270km north-east of Alice Springs. She was born there around 1945, spoke Anmatyerre, and her Country is Aknangkere.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8pt; line-height: 115%; text-align: center;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eShe was one of the seven Petyarre sisters, alongside Ada Bird, Jean, Kathleen, Myrtle, Nancy and Violet, in a family that has produced some of the most collected work in Aboriginal art. Gloria started out in the Utopia women's batik group in the late 1970s and moved to painting on canvas in 1988, her early work growing out of Awelye, the women's ceremonial body paint.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8pt; line-height: 115%; text-align: center;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eShe is best known for her Bush Medicine Leaves paintings, where the leaves drift and swirl across the canvas as though caught in the wind. In 1999 she won the Wynne Prize for landscape at the Art Gallery of New South Wales for one of these works, the first Aboriginal artist to take out that award. She passed away in June 2021.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"border-width: medium medium 1pt; border-style: none none solid; border-color: currentcolor currentcolor rgb(221, 221, 221); padding: 0cm 0cm 4pt; text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAwards and commissions\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1999\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eWinner, Wynne Prize for landscape, Art Gallery of New South Wales, the first Aboriginal artist to win it\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2004\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eHighly Commended, Wynne Prize, Art Gallery of New South Wales\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eFinalist in the Wynne Prize in later years, and in the National Aboriginal and Torres Strait Islander Art Awards in Darwin\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2009\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eCommissioned by Hermès, the first Australian artist the house had worked with, her Leaves design produced as a silk scarf titled Le Rêve de Gloria\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1993\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eDesigned a pair of tapestries woven by the Victorian Tapestry Workshop in Melbourne, now the Australian Tapestry Workshop\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1992 to 1993\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eCreated a forty foot mural with her husband Ronnie Price Mpetyane at the entrance to the Australian exhibit at the Kansas City Zoo, which won an American Institute of Architects award in 1994\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"border-width: medium medium 1pt; border-style: none none solid; border-color: currentcolor currentcolor rgb(221, 221, 221); padding: 0cm 0cm 4pt; text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNotable exhibitions\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1990 to 1991\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eUtopia: A Picture Story, touring Ireland, London and India as well as Adelaide and Melbourne, with Gloria travelling as a representative of the Utopia women\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1991\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eAboriginal Women’s Exhibition, Art Gallery of New South Wales, touring\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eUtopia Body Paint: Art from Australia’s Central Desert, touring twelve venues across North America\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eExhibited at the National Gallery of Australia, Canberra\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"border-width: medium medium 1pt; border-style: none none solid; border-color: currentcolor currentcolor rgb(221, 221, 221); padding: 0cm 0cm 4pt; text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eCollections\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNational Gallery of Australia\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eArt Gallery of New South Wales (seven works)\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNational Gallery of Victoria\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eArt Gallery of South Australia\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eQueensland Art Gallery\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eMuseum and Art Gallery of the Northern Territory\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eKluge-Ruhe Aboriginal Art Collection, University of Virginia\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSeattle Art Museum\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThe Holmes à Court Collection\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"border-width: medium medium 1pt; border-style: none none solid; border-color: currentcolor currentcolor rgb(221, 221, 221); padding: 0cm 0cm 4pt; text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHer Dreamings\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eBush Medicine Leaves (also called Leaves)\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThe work Gloria is famous for. The medicine leaves come from a range of native plants gathered across Utopia, prepared different ways depending on what's needed, boiled and drunk, crushed into a poultice, worked into a balm, or burned and smoked. The leaves change through the seasons, and Gloria painted them mid-fall, thousands of small strokes drifting across the canvas. She first developed the style in 1994 at Mosquito Bore, and her sisters, daughters and nieces have carried it on since.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAwelye (women’s ceremony and body paint)\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThe designs women wear across their chest and shoulders for ceremony. This was Gloria's earliest subject, going back to her batik work. The lines swirl and radiate the way the paint sits on the skin, often put on with the fingers.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eArnkerrthe (Mountain or Thorny Devil Lizard)\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eA small spiny desert lizard and one of Gloria's most important ancestral stories. Arnkerrthe travelled across her Country creating the sites, songs and stories, carrying a sac of ochre at its neck used for ceremony. Gloria's swirling design, which she called the “swirly ones”, stands for the thorny skin on its back.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAknangkere\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eGloria's own Country. Late in her career she developed a looser series called Aknangkere Growth, using lines of colour running across the canvas to show plant life regenerating on her homeland.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eGrass Seeds\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNative grass seed, a traditional bush food gathered and ground by the women. Gloria painted it in works like Sacred Grass, using a strong linear pattern with light dotting.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10pt; line-height: 110%; margin: 0cm 0cm 3.5pt 17pt; text-align: center;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003ePencil Yam\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eA bush food with an edible root dug from the ground, one of the bush-food Dreamings shared across the Petyarre family and the wider Utopia group.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"border-width: medium medium 1pt; border-style: none none solid; border-color: currentcolor currentcolor rgb(221, 221, 221); padding: 0cm 0cm 4pt; text-align: center;\"\u003e\n\u003cdiv style=\"mso-element: para-border-div; border: none; border-bottom: solid #DDDDDD 1.0pt; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm 0cm 4.0pt 0cm;\"\u003e\n\u003cp style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAbout this painting\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"margin-bottom: 6pt; line-height: 115%;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThis painting can be hung vertically or horizontally.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 115%;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSigned by Gloria and supplied with a photo of Gloria alongside the finished work and a gallery Certificate of Authenticity. Purchased directly from the artist.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify; line-height: 115%;\" class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"GLORIA TAMERRE PETYARRE","offers":[{"title":"149CM X 70CM","offer_id":41676119015469,"sku":"GP310","price":7950.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/files\/GP310.jpg?v=1683518122"},{"product_id":"ngoia-pollard-napaltjarri-swamps-at-nyrripi-3","title":"NGOIA POLLARD NAPALTJARRI  - Swamps at Nyrripi","description":"\u003cdiv style=\"text-align: center;\"\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003cstrong\u003eNGOIA POLLARD NAPALTJARRI\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eTITLE: SWAMPS AT NYRRIPI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cstrong\u003eACRYLIC ON LINEN\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e191CM X 100CM\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003eNGOIA HAS SIGNED THE PAINTING AND A PHOTO WILL BE PROVIDED.\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eREF#NPN329\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eBorn: c1940-2022. Haasts Bluff\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eAlso known as: Ngnoia\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eLanguage: Walpiri\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eSkin Name: Napaltjarri\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003eDreamings: Water Snake, Swamps at Nyrripi\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eNgoia grew up in Hassts Bluff, 227 kilometres west of Alice Springs. Her parents Angoona Nangala and Jim Tungurrayi moved to Papunya where she attended school in the 1960s.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eIt was here in Papunya where she married Jack Tjampitjinpa Pollard and had five children. He was an important Papunya Tula artist and initially Ngoia would assist her husband with his painting. They later moved to Kintore then to Mount Liebig. Sadly, Jack passed away in the late 1980s leaving Ngoia to paint independently.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eNgoia paints her father’s country which is sacred Warlpiri land. Her paintings tell the stories of the wet and dry seasons such as the swamps and lakes (shown as ovals in her paintings) near Nyrripi (Talarada) Northwest of Mt. Liebig. The dots represent the water drying up and the cracks in the ground forming.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eThe Water snake is one of her ancestors dreaming. This snake is believed to be just beneath the surface.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eNgoia is a Senior Custodian and has special responsibilities towards her land and passing down of information.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eNgoia’s work can been seen in galleries nationally and internationally. In 2006 she won the prestigious NATSIAA 23\u003csup\u003erd\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eTelstra Award for painting.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eThis painting was purchased directly from Ngoia, and a gallery certificate of authenticity will be provided with the sale.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"NGOIA POLLARD NAPALTJARRI","offers":[{"title":"191CM X 100CM","offer_id":41664737443885,"sku":"NP329","price":13000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/files\/NP329-4_1_1.jpg?v=1686280061"},{"product_id":"george-ward-tjungurrayi-tingari-1","title":"GEORGE WARD TJUNGURRAYI - Tingari","description":"\u003ch2 data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003ca title=\"Shop Australian Indigenous Artwork by George Ward Tjungurrayi | Aboriginal Art Gallery\" href=\"https:\/\/altyerre.com.au\/search?q=GEORGE+WARD+TJUNGURRAYI\u0026amp;options%5Bprefix%5D=last\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGEORGE WARD TJUNGURRAYI\u003c\/strong\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTITLE: TINGARI\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eACRYLIC ON LINEN\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e234.5CM X 124CM\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGEORGE HAS SIGNED THE PAINTING AND PHOTO WILL BE PROVIDED\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eREF#GWT330\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDOB: Around 1945-2023.  Kiwirrkurra, Gibson Desert, Western Australia\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLanguage: Pintupi\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDreaming’s: Tingari, Karrkurritinytja (Lake McDonald)\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGeorge was born near Kiwirrkurra in the Gibson Desert and lived there until he was a teenager then settling in the Aboriginal settlement of Papunya. It was here at Papunya where George began painting for Papunya Tula Artists around 1976.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHis half-brother Yala Yala Gibbs Tjungurrayi and Willy Tjungurrayi were some of the founding artists.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eIt was in the early 1990s George began painting the Tingari stories using his distinct linear optical stripes to form geometric patterns. His other striking style is seen as loosely joined dots to form patterns to tell his stories. Tingari are ancestral spirit beings who gave law and culture to the Pintupi people and transformed the landscape. Most of the stories around Tingari are secret and only the initiated are privy. George also paints his country such as Karrkurritinytja (Lake McDonald).\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eIn 2004 he won the prestigious Wynne Art Prize at the Art Gallery of New South\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWales. He is a highly sought-after artist with works exhibited in Australia and worldwide.\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGeorge prefers to live out bush as a Senior Pintupi elder between the communities of Kintore, Kiwirrkurra and Warakuna where he continues to paint.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSadly, George passed away in 2023.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThis painting was purchased directly from George and a gallery certificate of authenticity will be provided with the sale.\u003c\/strong\u003e\u003c\/div\u003e","brand":"GEORGE WARD TJUNGURRAYI","offers":[{"title":"234.5CM X 124CM","offer_id":41664737411117,"sku":"GWT330","price":32000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/files\/GWT330_1.jpg?v=1686271697"},{"product_id":"makinti-napanangka-untitled-6","title":"MAKINTI NAPANANGKA - Untitled","description":"\u003cdiv style=\"text-align: center;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003e MAKINTI NAPANANGKA\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eTITLE: UNTITLED\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eACRYLIC ON CANVAS\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e89CM X 71.5CM\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eMAKINTI HAS SIGNED THE PAINTING AND A PHOTO OF MAKINTI WITH HER ARTWORK WILL BE PROVIDED\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eREF#MN368\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eBorn: c. 1930 - 2011. Karrkurritinytja (Lake MacDonald), Western Desert Region\u003cbr\u003eLanguage: Pintupi\u003cbr\u003eCommunity: Kintore (Walungurru), Northern Territory\u003cbr\u003eDreamings: Kungka Kutjarra (Two Women), Lupulnga, Hair String, Body Paint (Women's Ceremony), Kuningka (Western Quoll)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eMakinti Napanangka was born around 1930 in the country around Karrkurritinytja, the great salt lake known to mapmakers as Lake MacDonald, where the Northern Territory gives way to Western Australia. It is old country, a pale sweep of salt and spinifex ringed by low tali sandhills that shift colour as the sun moves across them, and it holds the rockholes and ceremonial sites that Makinti carried with her for the rest of her life. She grew up living the traditional Pintupi way, and her first sight of white people came when she watched men travelling by camel near Lupul. In the early 1940s she walked in to Haasts Bluff with her family, long before Papunya was built. She later lived at Papunya, and settled at Kintore when that community was established.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHer painting life began late and moved quickly. She was one of the senior women who took part in the collaborative Haasts Bluff and Kintore women's painting project, a body of major canvases completed in 1994 and shown at the Tandanya National Aboriginal Cultural Institute in Adelaide. That project marked the point at which Pintupi women stepped forward as independent artists in the Western Desert movement, rather than working as helpers on paintings belonging to their husbands and brothers. In 1996 Makinti began painting for Papunya Tula Artists, alongside her cousin and painting companion Tatali Nangala, and she went on to become the most senior woman painting with the company as well as a shareholder and director of it.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eWhat set her apart was her hand. Where much Western Desert painting is built up through the patient placing of dots with a fine stick, Makinti worked with a loaded brush and a gestural sweep that came straight out of the way ochre is drawn across the body for women's ceremony. Her canvases are layered, thick with paint, alive with movement. Bands of pale line arc and twist across grounds of orange and ochre, lit up with bursts of pink, mauve and yellow. The effect is less a map of country than the feel of country, the rhythm of feet and song and skirts turning in the dust.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eRecognition came steadily. Australian Art Collector magazine named her one of Australia's 50 Most Collectable Artists three years running, in 2003, 2004 and 2005, and she was a repeated finalist in the National Aboriginal and Torres Strait Islander Art Award through that decade before taking out the top prize in 2008. By then her work was being acquired by every major public collection in the country, and Utopia Art Sydney's director had described her as the Central Desert's finest painter since Emily Kngwarreye, with no living match for her painterly freedom.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eTowards the end of her painting career Makinti's eyesight was failing, but it did not dampen her passion for painting. She would visit our family home, fondly called the farm, and ask for vibrant acrylic paints so she could take them home and later come back with her vivid, colourful canvases.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eMakinti passed away on 9 January 2011 at Alice Springs. Later that year she was posthumously appointed a Member of the Order of Australia (AM) in the Queen's Birthday Honours, recognised for her service to the arts as a contemporary Indigenous artist and for her role among the women painters of the Western Desert art movement.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHER DREAMINGS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKungka Kutjarra (Two Women) \u003c\/span\u003e— The Two Ancestral Women travelled enormous distances across the desert in the creation time, hundreds of kilometres of it, stopping at rockholes, camping, gathering food and performing ceremony as they went. Their journey is one of the great shared stories of the Western Desert, sung and painted by Pintupi, Warlpiri and Pitjantjatjara people alike. Makinti painted the line of their travels and the ceremonies they left behind.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLupulnga\u003c\/span\u003e — A rockhole site south of Kintore, and the place most closely bound to Makinti's name. Water in this country is everything, and a rockhole is not simply a waterhole but a living site of law, ceremony and belonging. Seen from above, as so many desert artists see their country, the site sits within the pale ring of surrounding sandhills like the still centre of the whole landscape. It was an untitled painting of Lupulnga that won her the nation's top Indigenous art prize.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eHair String\u003c\/span\u003e — Pintupi women spin string from human hair and wear it as skirts and belts during ceremony, the loose strands swinging and lifting as they dance. The looping, flowing bands of colour running through Makinti's work are these skirts in motion. It is a subject she made entirely her own, until the twisting line became her signature.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBody Paint (Women's Ceremony) \u003c\/span\u003e— The designs painted onto women's bodies for ceremony, distilled down to their essential shapes and let loose across the canvas. Makinti did not so much depict these designs as perform them, using the same broad, confident sweep of the hand that lays ochre onto skin.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKuningka (Western Quoll) \u003c\/span\u003e— A small native carnivore of the desert country, now vanished from much of its old range. In Makinti's work it appears in the roundels and circles that sit among the flowing lines.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAWARDS AND RECOGNITION\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2011 Member of the Order of Australia (AM), Queen's Birthday Honours, awarded posthumously\u003cbr\u003e2010 Alice Prize, Alice Springs — Finalist\u003cbr\u003e2009 26th National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003cbr\u003e2008 25th National Aboriginal and Torres Strait Islander Art Award, Darwin — Winner, for an untitled painting of Lupulnga\u003cbr\u003e2004 Wynne Prize, Art Gallery of New South Wales — Finalist\u003cbr\u003e2003, 2004 and 2005 Named one of Australia's 50 Most Collectable Artists, Australian Art Collector magazine, three consecutive years\u003cbr\u003e2003 Clemenger Contemporary Art Award, National Gallery of Victoria — Finalist\u003cbr\u003e2003 20th National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003cbr\u003e1997, 1998, 2001, 2002 National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSELECTED EXHIBITIONS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1995 Minyma Tjukurrpa: Kintore and Haasts Bluff Canvas Project, Tandanya National Aboriginal Cultural Institute, Adelaide\u003cbr\u003e2000 Papunya Tula: Genesis and Genius, Art Gallery of New South Wales, Sydney\u003cbr\u003e2003 Emerge, Museum and Art Gallery of the Northern Territory, Darwin\u003cbr\u003e2003 Clemenger Contemporary Art Award, National Gallery of Victoria, Melbourne\u003cbr\u003e2005 to 2006 Luminous: Contemporary Art from the Australian Desert, touring regional galleries in New South Wales, Victoria and South Australia\u003cbr\u003e2012 18th Biennale of Sydney, All Our Relations\u003cbr\u003e2012 Ancestral Modern: Australian Aboriginal Art from the Kaplan and Levi Collection, Seattle Art Museum, USA\u003cbr\u003e2013 Crossing Cultures: The Owen and Wagner Collection of Contemporary Aboriginal Australian Art, Toledo Museum of Art, USA\u003cbr\u003e2015 Tarnanthi: Festival of Contemporary Aboriginal and Torres Strait Islander Art, Art Gallery of South Australia, Adelaide\u003cbr\u003e2016 Artist's Hand, Collectors' Eye: The Angel Gift, National Gallery of Victoria, Melbourne\u003cbr\u003e2019 Borrowed Scenery, Campbelltown Arts Centre, Sydney\u003cbr\u003e2021 Papunya Tula: 50 Years, S.H. Ervin Gallery, Sydney\u003cbr\u003e2022 Irrititja Kuwarri Tjungu: Past and Present Together, Kluge-Ruhe Aboriginal Art Collection, University of Virginia, USA\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNational Gallery of Australia, Canberra\u003cbr\u003eArt Gallery of New South Wales, Sydney\u003cbr\u003eNational Gallery of Victoria, Melbourne\u003cbr\u003eQueensland Art Gallery and Gallery of Modern Art, Brisbane\u003cbr\u003eMuseum and Art Gallery of the Northern Territory, Darwin\u003cbr\u003eUniversity of Melbourne Art Collection\u003cbr\u003eSeattle Art Museum, USA\u003cbr\u003eHood Museum of Art, Dartmouth College, USA\u003cbr\u003eKluge-Ruhe Aboriginal Art Collection, University of Virginia, USA\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThis painting was purchased directly from Makinti, and a gallery certificate of authenticity will be provided with the sale.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Cormorant bold',serif;\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"MAKINTI NAPANANGKA","offers":[{"title":"89CM X 71.5CM","offer_id":41718725214253,"sku":"MN368","price":7995.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/files\/MN368_1_1.jpg?v=1692942058"},{"product_id":"gloria-tamerre-petyarre-bush-medicine-leaves-20","title":"GLORIA TAMERRE PETYARRE - Bush Medicine Leaves","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eGLORIA TAMERRE PETYARRE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eTITLE: BUSH MEDICINE LEAVES\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eACRYLIC ON LINEN\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e150CM x 171CM\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eGLORIA HAS SIGNED THE PAINTING AND A PHOTO OF GLORIA WITH HER ARTWORK WILL BE PROVIDED.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eREF#GP431\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eDOB: 1945-2021.  Utopia   Northern Territory\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eKnown as: Gloria Petyarre, Gloria Pitjara, Gloria Tamerre Petyarre\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eLanguage: Anmatyerre\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eDreaming’s: Leaves, Bush Medicine leaves, Grass seeds, Pencil Yam, Awelye (women’s ceremony and body paint designs), Arnkerrthe (Mountain or Thorny Devil Lizard) and Aknangkere\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8.0pt; text-align: justify; line-height: 115%;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eGloria Petyarre was one of the most important artists to come out of Utopia, the Anmatyerre and Alyawarr homelands about 270km north-east of Alice Springs. She was born there around 1945, spoke Anmatyerre, and her Country is Aknangkere.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8.0pt; text-align: justify; line-height: 115%;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eShe was one of the seven Petyarre sisters, alongside Ada Bird, Jean, Kathleen, Myrtle, Nancy and Violet, in a family that has produced some of the most collected work in Aboriginal art. Gloria started out in the Utopia women's batik group in the late 1970s and moved to painting on canvas in 1988, her early work growing out of Awelye, the women's ceremonial body paint.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8.0pt; text-align: justify; line-height: 115%;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eShe is best known for her Bush Medicine Leaves paintings, where the leaves drift and swirl across the canvas as though caught in the wind. In 1999 she won the Wynne Prize for landscape at the Art Gallery of New South Wales for one of these works, the first Aboriginal artist to take out that award. She passed away in June 2021.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"mso-element: para-border-div; border: none; border-bottom: solid #DDDDDD 1.0pt; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm 0cm 4.0pt 0cm;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAwards and commissions\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1999\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eWinner, Wynne Prize for landscape, Art Gallery of New South Wales, the first Aboriginal artist to win it\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2004\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eHighly Commended, Wynne Prize, Art Gallery of New South Wales\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eFinalist in the Wynne Prize in later years, and in the National Aboriginal and Torres Strait Islander Art Awards in Darwin\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2009\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eCommissioned by Hermès, the first Australian artist the house had worked with, her Leaves design produced as a silk scarf titled Le Rêve de Gloria\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1993\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eDesigned a pair of tapestries woven by the Victorian Tapestry Workshop in Melbourne, now the Australian Tapestry Workshop\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1992 to 1993\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eCreated a forty foot mural with her husband Ronnie Price Mpetyane at the entrance to the Australian exhibit at the Kansas City Zoo, which won an American Institute of Architects award in 1994\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"mso-element: para-border-div; border: none; border-bottom: solid #DDDDDD 1.0pt; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm 0cm 4.0pt 0cm;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNotable exhibitions\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1990 to 1991\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eUtopia: A Picture Story, touring Ireland, London and India as well as Adelaide and Melbourne, with Gloria travelling as a representative of the Utopia women\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1991\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eAboriginal Women’s Exhibition, Art Gallery of New South Wales, touring\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eUtopia Body Paint: Art from Australia’s Central Desert, touring twelve venues across North America\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eExhibited at the National Gallery of Australia, Canberra\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"mso-element: para-border-div; border: none; border-bottom: solid #DDDDDD 1.0pt; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm 0cm 4.0pt 0cm;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eCollections\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNational Gallery of Australia\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eArt Gallery of New South Wales (seven works)\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNational Gallery of Victoria\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eArt Gallery of South Australia\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eQueensland Art Gallery\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eMuseum and Art Gallery of the Northern Territory\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eKluge-Ruhe Aboriginal Art Collection, University of Virginia\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSeattle Art Museum\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThe Holmes à Court Collection\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"mso-element: para-border-div; border: none; border-bottom: solid #DDDDDD 1.0pt; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm 0cm 4.0pt 0cm;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHer Dreamings\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eBush Medicine Leaves (also called Leaves)\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThe work Gloria is famous for. The medicine leaves come from a range of native plants gathered across Utopia, prepared different ways depending on what's needed, boiled and drunk, crushed into a poultice, worked into a balm, or burned and smoked. The leaves change through the seasons, and Gloria painted them mid-fall, thousands of small strokes drifting across the canvas. She first developed the style in 1994 at Mosquito Bore, and her sisters, daughters and nieces have carried it on since.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAwelye (women’s ceremony and body paint)\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThe designs women wear across their chest and shoulders for ceremony. This was Gloria's earliest subject, going back to her batik work. The lines swirl and radiate the way the paint sits on the skin, often put on with the fingers.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eArnkerrthe (Mountain or Thorny Devil Lizard)\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eA small spiny desert lizard and one of Gloria's most important ancestral stories. Arnkerrthe travelled across her Country creating the sites, songs and stories, carrying a sac of ochre at its neck used for ceremony. Gloria's swirling design, which she called the “swirly ones”, stands for the thorny skin on its back.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAknangkere\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eGloria's own Country. Late in her career she developed a looser series called Aknangkere Growth, using lines of colour running across the canvas to show plant life regenerating on her homeland.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eGrass Seeds\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNative grass seed, a traditional bush food gathered and ground by the women. Gloria painted it in works like Sacred Grass, using a strong linear pattern with light dotting.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003ePencil Yam\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eA bush food with an edible root dug from the ground, one of the bush-food Dreamings shared across the Petyarre family and the wider Utopia group.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"mso-element: para-border-div; border: none; border-bottom: solid #DDDDDD 1.0pt; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm 0cm 4.0pt 0cm;\"\u003e\n\u003cdiv style=\"mso-element: para-border-div; border: none; border-bottom: solid #DDDDDD 1.0pt; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm 0cm 4.0pt 0cm;\"\u003e\n\u003cp style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAbout this painting\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"margin-bottom: 6pt; line-height: 115%;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThis painting can be hung vertically or horizontally.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 115%;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSigned by Gloria and supplied with a photo of Gloria alongside the finished work and a gallery Certificate of Authenticity. Purchased directly from the artist.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify; line-height: 115%;\" class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"GLORIA TAMERRE PETYARRE","offers":[{"title":"150CM x 171CM","offer_id":41926973390893,"sku":"GP431","price":22500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/files\/GP431moreyellow-4.jpg?v=1700520029"},{"product_id":"makinti-napanangka-untitled-7","title":"MAKINTI NAPANANGKA - Untitled","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003e MAKINTI NAPANANGKA\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eTITLE: UNTITLED\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e45CM X 148CM\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eMAKINTI HAS SIGNED THE PAINTING AND A PHOTO OF MAKINTI WITH HER ARTWORK WILL BE PROVIDED\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eREF#MN463\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eBorn: c. 1930 - 2011. Karrkurritinytja (Lake MacDonald), Western Desert Region\u003cbr\u003eLanguage: Pintupi\u003cbr\u003eCommunity: Kintore (Walungurru), Northern Territory\u003cbr\u003eDreamings: Kungka Kutjarra (Two Women), Lupulnga, Hair String, Body Paint (Women's Ceremony), Kuningka (Western Quoll)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eMakinti Napanangka was born around 1930 in the country around Karrkurritinytja, the great salt lake known to mapmakers as Lake MacDonald, where the Northern Territory gives way to Western Australia. It is old country, a pale sweep of salt and spinifex ringed by low tali sandhills that shift colour as the sun moves across them, and it holds the rockholes and ceremonial sites that Makinti carried with her for the rest of her life. She grew up living the traditional Pintupi way, and her first sight of white people came when she watched men travelling by camel near Lupul. In the early 1940s she walked in to Haasts Bluff with her family, long before Papunya was built. She later lived at Papunya, and settled at Kintore when that community was established.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHer painting life began late and moved quickly. She was one of the senior women who took part in the collaborative Haasts Bluff and Kintore women's painting project, a body of major canvases completed in 1994 and shown at the Tandanya National Aboriginal Cultural Institute in Adelaide. That project marked the point at which Pintupi women stepped forward as independent artists in the Western Desert movement, rather than working as helpers on paintings belonging to their husbands and brothers. In 1996 Makinti began painting for Papunya Tula Artists, alongside her cousin and painting companion Tatali Nangala, and she went on to become the most senior woman painting with the company as well as a shareholder and director of it.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eWhat set her apart was her hand. Where much Western Desert painting is built up through the patient placing of dots with a fine stick, Makinti worked with a loaded brush and a gestural sweep that came straight out of the way ochre is drawn across the body for women's ceremony. Her canvases are layered, thick with paint, alive with movement. Bands of pale line arc and twist across grounds of orange and ochre, lit up with bursts of pink, mauve and yellow. The effect is less a map of country than the feel of country, the rhythm of feet and song and skirts turning in the dust.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eRecognition came steadily. Australian Art Collector magazine named her one of Australia's 50 Most Collectable Artists three years running, in 2003, 2004 and 2005, and she was a repeated finalist in the National Aboriginal and Torres Strait Islander Art Award through that decade before taking out the top prize in 2008. By then her work was being acquired by every major public collection in the country, and Utopia Art Sydney's director had described her as the Central Desert's finest painter since Emily Kngwarreye, with no living match for her painterly freedom.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eTowards the end of her painting career Makinti's eyesight was failing, but it did not dampen her passion for painting. She would visit our family home, fondly called the farm, and ask for vibrant acrylic paints so she could take them home and later come back with her vivid, colourful canvases.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eMakinti passed away on 9 January 2011 at Alice Springs. Later that year she was posthumously appointed a Member of the Order of Australia (AM) in the Queen's Birthday Honours, recognised for her service to the arts as a contemporary Indigenous artist and for her role among the women painters of the Western Desert art movement.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHER DREAMINGS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKungka Kutjarra (Two Women) \u003c\/span\u003e— The Two Ancestral Women travelled enormous distances across the desert in the creation time, hundreds of kilometres of it, stopping at rockholes, camping, gathering food and performing ceremony as they went. Their journey is one of the great shared stories of the Western Desert, sung and painted by Pintupi, Warlpiri and Pitjantjatjara people alike. Makinti painted the line of their travels and the ceremonies they left behind.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLupulnga\u003c\/span\u003e — A rockhole site south of Kintore, and the place most closely bound to Makinti's name. Water in this country is everything, and a rockhole is not simply a waterhole but a living site of law, ceremony and belonging. Seen from above, as so many desert artists see their country, the site sits within the pale ring of surrounding sandhills like the still centre of the whole landscape. It was an untitled painting of Lupulnga that won her the nation's top Indigenous art prize.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eHair String\u003c\/span\u003e — Pintupi women spin string from human hair and wear it as skirts and belts during ceremony, the loose strands swinging and lifting as they dance. The looping, flowing bands of colour running through Makinti's work are these skirts in motion. It is a subject she made entirely her own, until the twisting line became her signature.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBody Paint (Women's Ceremony) \u003c\/span\u003e— The designs painted onto women's bodies for ceremony, distilled down to their essential shapes and let loose across the canvas. Makinti did not so much depict these designs as perform them, using the same broad, confident sweep of the hand that lays ochre onto skin.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKuningka (Western Quoll) \u003c\/span\u003e— A small native carnivore of the desert country, now vanished from much of its old range. In Makinti's work it appears in the roundels and circles that sit among the flowing lines.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAWARDS AND RECOGNITION\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2011 Member of the Order of Australia (AM), Queen's Birthday Honours, awarded posthumously\u003cbr\u003e2010 Alice Prize, Alice Springs — Finalist\u003cbr\u003e2009 26th National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003cbr\u003e2008 25th National Aboriginal and Torres Strait Islander Art Award, Darwin — Winner, for an untitled painting of Lupulnga\u003cbr\u003e2004 Wynne Prize, Art Gallery of New South Wales — Finalist\u003cbr\u003e2003, 2004 and 2005 Named one of Australia's 50 Most Collectable Artists, Australian Art Collector magazine, three consecutive years\u003cbr\u003e2003 Clemenger Contemporary Art Award, National Gallery of Victoria — Finalist\u003cbr\u003e2003 20th National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003cbr\u003e1997, 1998, 2001, 2002 National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSELECTED EXHIBITIONS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1995 Minyma Tjukurrpa: Kintore and Haasts Bluff Canvas Project, Tandanya National Aboriginal Cultural Institute, Adelaide\u003cbr\u003e2000 Papunya Tula: Genesis and Genius, Art Gallery of New South Wales, Sydney\u003cbr\u003e2003 Emerge, Museum and Art Gallery of the Northern Territory, Darwin\u003cbr\u003e2003 Clemenger Contemporary Art Award, National Gallery of Victoria, Melbourne\u003cbr\u003e2005 to 2006 Luminous: Contemporary Art from the Australian Desert, touring regional galleries in New South Wales, Victoria and South Australia\u003cbr\u003e2012 18th Biennale of Sydney, All Our Relations\u003cbr\u003e2012 Ancestral Modern: Australian Aboriginal Art from the Kaplan and Levi Collection, Seattle Art Museum, USA\u003cbr\u003e2013 Crossing Cultures: The Owen and Wagner Collection of Contemporary Aboriginal Australian Art, Toledo Museum of Art, USA\u003cbr\u003e2015 Tarnanthi: Festival of Contemporary Aboriginal and Torres Strait Islander Art, Art Gallery of South Australia, Adelaide\u003cbr\u003e2016 Artist's Hand, Collectors' Eye: The Angel Gift, National Gallery of Victoria, Melbourne\u003cbr\u003e2019 Borrowed Scenery, Campbelltown Arts Centre, Sydney\u003cbr\u003e2021 Papunya Tula: 50 Years, S.H. Ervin Gallery, Sydney\u003cbr\u003e2022 Irrititja Kuwarri Tjungu: Past and Present Together, Kluge-Ruhe Aboriginal Art Collection, University of Virginia, USA\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNational Gallery of Australia, Canberra\u003cbr\u003eArt Gallery of New South Wales, Sydney\u003cbr\u003eNational Gallery of Victoria, Melbourne\u003cbr\u003eQueensland Art Gallery and Gallery of Modern Art, Brisbane\u003cbr\u003eMuseum and Art Gallery of the Northern Territory, Darwin\u003cbr\u003eUniversity of Melbourne Art Collection\u003cbr\u003eSeattle Art Museum, USA\u003cbr\u003eHood Museum of Art, Dartmouth College, USA\u003cbr\u003eKluge-Ruhe Aboriginal Art Collection, University of Virginia, USA\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThis painting was purchased directly from Makinti, and a gallery certificate of authenticity will be provided with the sale.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Cormorant bold',serif;\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"MAKINTI NAPANANGKA","offers":[{"title":"Default Title","offer_id":43318751297581,"sku":"MN463","price":8995.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/files\/MN463_f6de7330-fe1b-4869-bc5d-0d2f0a5abe32.jpg?v=1741506621"},{"product_id":"kathleen-petyarre-arnkerrthe-7","title":"KATHLEEN PETYARRE - Arnkerrthe","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eKATHLEEN PETYARRE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e TITLE: ARNKERRTHE (MOUNTAIN DEVIL LIZARD)\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eACRYLIC ON LINEN\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e95CM X 93.5CM\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eKATHLEEN HAS SIGNED THE PAINTING AND A PHOTO WILL BE PROVIDED\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eREF#KP464\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eDOB: 1940s - 2018.  Utopia   Northern Territory\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eLanguage: Eastern Anmatyerre\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eDreaming’s: My Country, Bush Seeds, Thorny Devil Lizard\/Mountain Devil Lizard (Arnkerrthe), Women’s Hunting, Emu\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eKathleen is one of Australia’s most prominent artists. Considered one of the Top 50 most Collectable Artists in Australia by the Australian Art Collector Magazine.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eShe is one of the affectionately named; ‘Petyarre Sisters’ which includes; Jean Petyarre, Ada Bird Petyarre, Gloria Petyarre, Nancy Petyarre, Violet Petyarre, Myrtle Petyarre who are all talented, sought-after indigenous artists.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cb\u003eKathleen’s paintings are related to her ancestral country and the dreaming’s passed down to her including women’s hunting, gathering of bush seeds, emu, dingo, and Thorny Devil Lizard\/Mountain Devil Lizard. Her sister's paintings of the Thorny Devil are related to the appearance of the lizard whereas Kathleen's paintings are related to the Lizards journey across her ancestral lands. \u003c\/b\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eKathleen was also a prominent Aboriginal activist who helped claim the freehold title of Utopia to the traditional owners in 1979. Sadly, Kathleen passed away in 2018.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eThis painting was purchased directly from Kathleen and a gallery certificate of authenticity will be provided with the sale.\u003c\/strong\u003e\u003c\/div\u003e","brand":"KATHLEEN PETYARRE","offers":[{"title":"Default Title","offer_id":43319277781037,"sku":"KP464","price":8500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/files\/KP464.jpg?v=1741565553"},{"product_id":"gloria-tamerre-petyarre-bush-medicine-leaves-22","title":"GLORIA TAMERRE PETYARRE - Bush Medicine Leaves","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eGLORIA TAMERRE PETYARRE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eTITLE: BUSH MEDICINE LEAVES\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eACRYLIC ON LINEN\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e120CM x 77CM\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eGLORIA HAS SIGNED THE PAINTING \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eREF#GP468\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eDOB: 1945-2021.  Utopia   Northern Territory\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eKnown as: Gloria Petyarre, Gloria Pitjara, Gloria Tamerre Petyarre\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eLanguage: Anmatyerre\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eDreaming’s: Leaves, Bush Medicine leaves, Grass seeds, Pencil Yam, Awelye (women’s ceremony and body paint designs), Arnkerrthe (Mountain or Thorny Devil Lizard) and Aknangkere\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8.0pt; text-align: justify; line-height: 115%;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eGloria Petyarre was one of the most important artists to come out of Utopia, the Anmatyerre and Alyawarr homelands about 270km north-east of Alice Springs. She was born there around 1945, spoke Anmatyerre, and her Country is Aknangkere.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8.0pt; text-align: justify; line-height: 115%;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eShe was one of the seven Petyarre sisters, alongside Ada Bird, Jean, Kathleen, Myrtle, Nancy and Violet, in a family that has produced some of the most collected work in Aboriginal art. Gloria started out in the Utopia women's batik group in the late 1970s and moved to painting on canvas in 1988, her early work growing out of Awelye, the women's ceremonial body paint.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8.0pt; text-align: justify; line-height: 115%;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eShe is best known for her Bush Medicine Leaves paintings, where the leaves drift and swirl across the canvas as though caught in the wind. In 1999 she won the Wynne Prize for landscape at the Art Gallery of New South Wales for one of these works, the first Aboriginal artist to take out that award. She passed away in June 2021.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"mso-element: para-border-div; border: none; border-bottom: solid #DDDDDD 1.0pt; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm 0cm 4.0pt 0cm;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAwards and commissions\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1999\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eWinner, Wynne Prize for landscape, Art Gallery of New South Wales, the first Aboriginal artist to win it\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2004\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eHighly Commended, Wynne Prize, Art Gallery of New South Wales\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eFinalist in the Wynne Prize in later years, and in the National Aboriginal and Torres Strait Islander Art Awards in Darwin\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2009\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eCommissioned by Hermès, the first Australian artist the house had worked with, her Leaves design produced as a silk scarf titled Le Rêve de Gloria\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1993\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eDesigned a pair of tapestries woven by the Victorian Tapestry Workshop in Melbourne, now the Australian Tapestry Workshop\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1992 to 1993\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eCreated a forty foot mural with her husband Ronnie Price Mpetyane at the entrance to the Australian exhibit at the Kansas City Zoo, which won an American Institute of Architects award in 1994\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"mso-element: para-border-div; border: none; border-bottom: solid #DDDDDD 1.0pt; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm 0cm 4.0pt 0cm;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNotable exhibitions\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1990 to 1991\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eUtopia: A Picture Story, touring Ireland, London and India as well as Adelaide and Melbourne, with Gloria travelling as a representative of the Utopia women\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1991\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eAboriginal Women’s Exhibition, Art Gallery of New South Wales, touring\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eUtopia Body Paint: Art from Australia’s Central Desert, touring twelve venues across North America\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eExhibited at the National Gallery of Australia, Canberra\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"mso-element: para-border-div; border: none; border-bottom: solid #DDDDDD 1.0pt; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm 0cm 4.0pt 0cm;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eCollections\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNational Gallery of Australia\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eArt Gallery of New South Wales (seven works)\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNational Gallery of Victoria\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eArt Gallery of South Australia\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eQueensland Art Gallery\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eMuseum and Art Gallery of the Northern Territory\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eKluge-Ruhe Aboriginal Art Collection, University of Virginia\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSeattle Art Museum\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThe Holmes à Court Collection\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"mso-element: para-border-div; border: none; border-bottom: solid #DDDDDD 1.0pt; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm 0cm 4.0pt 0cm;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHer Dreamings\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eBush Medicine Leaves (also called Leaves)\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThe work Gloria is famous for. The medicine leaves come from a range of native plants gathered across Utopia, prepared different ways depending on what's needed, boiled and drunk, crushed into a poultice, worked into a balm, or burned and smoked. The leaves change through the seasons, and Gloria painted them mid-fall, thousands of small strokes drifting across the canvas. She first developed the style in 1994 at Mosquito Bore, and her sisters, daughters and nieces have carried it on since.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAwelye (women’s ceremony and body paint)\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThe designs women wear across their chest and shoulders for ceremony. This was Gloria's earliest subject, going back to her batik work. The lines swirl and radiate the way the paint sits on the skin, often put on with the fingers.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eArnkerrthe (Mountain or Thorny Devil Lizard)\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eA small spiny desert lizard and one of Gloria's most important ancestral stories. Arnkerrthe travelled across her Country creating the sites, songs and stories, carrying a sac of ochre at its neck used for ceremony. Gloria's swirling design, which she called the “swirly ones”, stands for the thorny skin on its back.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAknangkere\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eGloria's own Country. Late in her career she developed a looser series called Aknangkere Growth, using lines of colour running across the canvas to show plant life regenerating on her homeland.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eGrass Seeds\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNative grass seed, a traditional bush food gathered and ground by the women. Gloria painted it in works like Sacred Grass, using a strong linear pattern with light dotting.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -10.0pt; line-height: 110%; mso-list: l0 level1 lfo1; margin: 0cm 0cm 3.5pt 17.0pt;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #bfa46f; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003ePencil Yam\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #5a5a5a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e—\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eA bush food with an edible root dug from the ground, one of the bush-food Dreamings shared across the Petyarre family and the wider Utopia group.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"mso-element: para-border-div; border: none; border-bottom: solid #DDDDDD 1.0pt; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm 0cm 4.0pt 0cm;\"\u003e\n\u003cdiv style=\"mso-element: para-border-div; border: none; border-bottom: solid #DDDDDD 1.0pt; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm 0cm 4.0pt 0cm;\"\u003e\n\u003cp style=\"border: none; mso-border-bottom-alt: solid #DDDDDD .75pt; padding: 0cm; mso-padding-alt: 0cm 0cm 4.0pt 0cm; margin: 13.0pt 0cm 5.0pt 0cm;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; text-transform: uppercase; letter-spacing: 1.0pt; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAbout this painting\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"margin-bottom: 6pt; line-height: 115%;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThis painting can be hung vertically or horizontally.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 115%;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-fareast-font-family: Georgia; mso-hansi-font-family: 'Times New Roman'; color: #1a1a1a; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSigned by Gloria and supplied with a photo of Gloria alongside the finished work and a gallery Certificate of Authenticity. Purchased directly from the artist.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify; line-height: 115%;\" class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan lang=\"EN-US\" style=\"mso-hansi-font-family: 'Times New Roman'; color: black;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"GLORIA TAMERRE PETYARRE","offers":[{"title":"Default Title","offer_id":44152680939565,"sku":"GP468","price":7900.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/files\/GP468-2_Gloria_Tamerre_Petyarre.jpg?v=1757395371"},{"product_id":"makinti-napanangka-untitled-8","title":"MAKINTI NAPANANGKA - Untitled","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003e MAKINTI NAPANANGKA\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eTITLE: UNTITLED\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003e88CM x 71 CM\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eMAKINTI HAS SIGNED THE PAINTING AND A PHOTO OF MAKINTI WITH HER ARTWORK WILL BE PROVIDED\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eREF#MN475\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eBorn: c. 1930 - 2011. Karrkurritinytja (Lake MacDonald), Western Desert Region\u003cbr\u003eLanguage: Pintupi\u003cbr\u003eCommunity: Kintore (Walungurru), Northern Territory\u003cbr\u003eDreamings: Kungka Kutjarra (Two Women), Lupulnga, Hair String, Body Paint (Women's Ceremony), Kuningka (Western Quoll)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eMakinti Napanangka was born around 1930 in the country around Karrkurritinytja, the great salt lake known to mapmakers as Lake MacDonald, where the Northern Territory gives way to Western Australia. It is old country, a pale sweep of salt and spinifex ringed by low tali sandhills that shift colour as the sun moves across them, and it holds the rockholes and ceremonial sites that Makinti carried with her for the rest of her life. She grew up living the traditional Pintupi way, and her first sight of white people came when she watched men travelling by camel near Lupul. In the early 1940s she walked in to Haasts Bluff with her family, long before Papunya was built. She later lived at Papunya, and settled at Kintore when that community was established.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHer painting life began late and moved quickly. She was one of the senior women who took part in the collaborative Haasts Bluff and Kintore women's painting project, a body of major canvases completed in 1994 and shown at the Tandanya National Aboriginal Cultural Institute in Adelaide. That project marked the point at which Pintupi women stepped forward as independent artists in the Western Desert movement, rather than working as helpers on paintings belonging to their husbands and brothers. In 1996 Makinti began painting for Papunya Tula Artists, alongside her cousin and painting companion Tatali Nangala, and she went on to become the most senior woman painting with the company as well as a shareholder and director of it.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eWhat set her apart was her hand. Where much Western Desert painting is built up through the patient placing of dots with a fine stick, Makinti worked with a loaded brush and a gestural sweep that came straight out of the way ochre is drawn across the body for women's ceremony. Her canvases are layered, thick with paint, alive with movement. Bands of pale line arc and twist across grounds of orange and ochre, lit up with bursts of pink, mauve and yellow. The effect is less a map of country than the feel of country, the rhythm of feet and song and skirts turning in the dust.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eRecognition came steadily. Australian Art Collector magazine named her one of Australia's 50 Most Collectable Artists three years running, in 2003, 2004 and 2005, and she was a repeated finalist in the National Aboriginal and Torres Strait Islander Art Award through that decade before taking out the top prize in 2008. By then her work was being acquired by every major public collection in the country, and Utopia Art Sydney's director had described her as the Central Desert's finest painter since Emily Kngwarreye, with no living match for her painterly freedom.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eTowards the end of her painting career Makinti's eyesight was failing, but it did not dampen her passion for painting. She would visit our family home, fondly called the farm, and ask for vibrant acrylic paints so she could take them home and later come back with her vivid, colourful canvases.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eMakinti passed away on 9 January 2011 at Alice Springs. Later that year she was posthumously appointed a Member of the Order of Australia (AM) in the Queen's Birthday Honours, recognised for her service to the arts as a contemporary Indigenous artist and for her role among the women painters of the Western Desert art movement.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHER DREAMINGS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKungka Kutjarra (Two Women) \u003c\/span\u003e— The Two Ancestral Women travelled enormous distances across the desert in the creation time, hundreds of kilometres of it, stopping at rockholes, camping, gathering food and performing ceremony as they went. Their journey is one of the great shared stories of the Western Desert, sung and painted by Pintupi, Warlpiri and Pitjantjatjara people alike. Makinti painted the line of their travels and the ceremonies they left behind.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLupulnga\u003c\/span\u003e — A rockhole site south of Kintore, and the place most closely bound to Makinti's name. Water in this country is everything, and a rockhole is not simply a waterhole but a living site of law, ceremony and belonging. Seen from above, as so many desert artists see their country, the site sits within the pale ring of surrounding sandhills like the still centre of the whole landscape. It was an untitled painting of Lupulnga that won her the nation's top Indigenous art prize.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eHair String\u003c\/span\u003e — Pintupi women spin string from human hair and wear it as skirts and belts during ceremony, the loose strands swinging and lifting as they dance. The looping, flowing bands of colour running through Makinti's work are these skirts in motion. It is a subject she made entirely her own, until the twisting line became her signature.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBody Paint (Women's Ceremony) \u003c\/span\u003e— The designs painted onto women's bodies for ceremony, distilled down to their essential shapes and let loose across the canvas. Makinti did not so much depict these designs as perform them, using the same broad, confident sweep of the hand that lays ochre onto skin.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKuningka (Western Quoll) \u003c\/span\u003e— A small native carnivore of the desert country, now vanished from much of its old range. In Makinti's work it appears in the roundels and circles that sit among the flowing lines.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAWARDS AND RECOGNITION\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2011 Member of the Order of Australia (AM), Queen's Birthday Honours, awarded posthumously\u003cbr\u003e2010 Alice Prize, Alice Springs — Finalist\u003cbr\u003e2009 26th National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003cbr\u003e2008 25th National Aboriginal and Torres Strait Islander Art Award, Darwin — Winner, for an untitled painting of Lupulnga\u003cbr\u003e2004 Wynne Prize, Art Gallery of New South Wales — Finalist\u003cbr\u003e2003, 2004 and 2005 Named one of Australia's 50 Most Collectable Artists, Australian Art Collector magazine, three consecutive years\u003cbr\u003e2003 Clemenger Contemporary Art Award, National Gallery of Victoria — Finalist\u003cbr\u003e2003 20th National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003cbr\u003e1997, 1998, 2001, 2002 National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSELECTED EXHIBITIONS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1995 Minyma Tjukurrpa: Kintore and Haasts Bluff Canvas Project, Tandanya National Aboriginal Cultural Institute, Adelaide\u003cbr\u003e2000 Papunya Tula: Genesis and Genius, Art Gallery of New South Wales, Sydney\u003cbr\u003e2003 Emerge, Museum and Art Gallery of the Northern Territory, Darwin\u003cbr\u003e2003 Clemenger Contemporary Art Award, National Gallery of Victoria, Melbourne\u003cbr\u003e2005 to 2006 Luminous: Contemporary Art from the Australian Desert, touring regional galleries in New South Wales, Victoria and South Australia\u003cbr\u003e2012 18th Biennale of Sydney, All Our Relations\u003cbr\u003e2012 Ancestral Modern: Australian Aboriginal Art from the Kaplan and Levi Collection, Seattle Art Museum, USA\u003cbr\u003e2013 Crossing Cultures: The Owen and Wagner Collection of Contemporary Aboriginal Australian Art, Toledo Museum of Art, USA\u003cbr\u003e2015 Tarnanthi: Festival of Contemporary Aboriginal and Torres Strait Islander Art, Art Gallery of South Australia, Adelaide\u003cbr\u003e2016 Artist's Hand, Collectors' Eye: The Angel Gift, National Gallery of Victoria, Melbourne\u003cbr\u003e2019 Borrowed Scenery, Campbelltown Arts Centre, Sydney\u003cbr\u003e2021 Papunya Tula: 50 Years, S.H. Ervin Gallery, Sydney\u003cbr\u003e2022 Irrititja Kuwarri Tjungu: Past and Present Together, Kluge-Ruhe Aboriginal Art Collection, University of Virginia, USA\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNational Gallery of Australia, Canberra\u003cbr\u003eArt Gallery of New South Wales, Sydney\u003cbr\u003eNational Gallery of Victoria, Melbourne\u003cbr\u003eQueensland Art Gallery and Gallery of Modern Art, Brisbane\u003cbr\u003eMuseum and Art Gallery of the Northern Territory, Darwin\u003cbr\u003eUniversity of Melbourne Art Collection\u003cbr\u003eSeattle Art Museum, USA\u003cbr\u003eHood Museum of Art, Dartmouth College, USA\u003cbr\u003eKluge-Ruhe Aboriginal Art Collection, University of Virginia, USA\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThis painting was purchased directly from Makinti, and a gallery certificate of authenticity will be provided with the sale.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Cormorant bold',serif;\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Altyerre Aboriginal Art","offers":[{"title":"Default Title","offer_id":44802077524013,"sku":null,"price":7995.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/files\/MN475-5.jpg?v=1775445804"},{"product_id":"pantjiti-mary-mclean-kuniya-tjukurpa-witi-kutjaro","title":"PANTJITI MARY MCLEAN - Kuniya Tjukurpa Witi Kutjaro","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003ePANTJITI MARY MCLEAN\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eTITLE: KUNIYA TJUKURPA WITI KUTJARO (Python Dreaming)\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003cbr\u003eACRYLIC ON LINEN\u003cbr\u003e205CM x 92CM\u003cbr\u003ePANTJITI HAS SIGNED THE PAINTING AND A PHOTO OF PANTJITI WITH HER ARTWORK WILL BE PROVIDED\u003cbr\u003e \u003cbr\u003eREF#PM491\u003cbr\u003e \u003cbr\u003eDOB: c1928 - 2023  |  Kaltukatjara (Docker River), Western Desert\u003cbr\u003eLanguage: Ngaatjatjarra\u003cbr\u003eDreaming’s: Kuniya Tjukurpa (Python Dreaming), Bush Foods, Women’s Business \u0026amp; Country\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003e\u003cstrong\u003eDr Pantjiti Mary McLean (c.1928–2023) was one of the most distinctive and respected Ngaatjatjarra artists to emerge from the Western Desert movement. Born in the desert country around Kaltukatjara (Docker River), south-west of Uluru, her life journey carried the deep experiences of traditional desert life, displacement, station work, family separation and cultural survival — all of which became woven into her extraordinary paintings.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMary began painting professionally in the early 1990s after meeting renowned fibre artist Nalda Searles during the Warta Kutju community art project in Kalgoorlie. While she first worked within traditional Western Desert styles, she soon developed an unmistakably personal visual language filled with movement, storytelling, figures, animals, bush foods and memories of life on Country.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHer paintings are celebrated for their joyful energy and narrative richness. Rather than isolating a single subject, Mary created flowing, multi-directional compositions where people, animals, tracks, waterholes and bush foods coexist together — reflecting the interconnectedness of life, Country and culture. Her work often recalls memories of hunting, gathering, family life and the landscapes of her grandmother’s Country near Docker River and Blackstone.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBeyond her artistic achievements, Mary was a highly respected elder, educator and community figure. In 2001 she was awarded an Honorary Doctorate from Curtin University in recognition of her contribution to Aboriginal art and the broader community.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePantjiti Mary McLean exhibited widely throughout Australia and internationally, including exhibitions at Fremantle Arts Centre, Boomalli Aboriginal Artists Cooperative, Australia House in London and the Telstra National Aboriginal Art Awards. Her works are held in many of Australia’s most important public collections, including the National Gallery of Australia, National Gallery of Victoria, Art Gallery of New South Wales and the Art Gallery of Western Australia.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eToday, her paintings remain highly sought after for their warmth, individuality and powerful storytelling, offering a deeply human connection to Country, memory and lived experience.\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cb\u003eThis painting can be hung vertically or horizontally.\u003c\/b\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cb\u003ePlease note, every painting is carefully photographed, but colours can appear slightly different depending on your screen settings and lighting. If you'd like additional photos, a personal video, or even a live FaceTime viewing before you decide — just ask. I'm always happy to help you feel completely sure.\u003c\/b\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eThis painting was purchased directly from Pantjiti, and a gallery certificate of authenticity will be provided with the sale.\u003c\/strong\u003e\u003c\/div\u003e","brand":"PANTJITI MARY MCLEAN","offers":[{"title":"Default Title","offer_id":66770483183661,"sku":null,"price":20000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/files\/PM491-3.jpg?v=1780023842"},{"product_id":"kathleen-petyarre-arnkerrthe-8","title":"KATHLEEN PETYARRE - Arnkerrthe","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eKATHLEEN PETYARRE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e TITLE: ARNKERRTHE (MOUNTAIN DEVIL LIZARD)\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eACRYLIC ON LINEN\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e95CM X 93.5CM\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eKATHLEEN HAS SIGNED THE PAINTING AND A PHOTO WILL BE PROVIDED\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eREF#KP464\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eDOB: 1940s - 2018.  Utopia   Northern Territory\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eLanguage: Eastern Anmatyerre\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eDreaming’s: My Country, Bush Seeds, Thorny Devil Lizard\/Mountain Devil Lizard (Arnkerrthe), Women’s Hunting, Emu\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eKathleen is one of Australia’s most prominent artists. Considered one of the Top 50 most Collectable Artists in Australia by the Australian Art Collector Magazine.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eShe is one of the affectionately named; ‘Petyarre Sisters’ which includes; Jean Petyarre, Ada Bird Petyarre, Gloria Petyarre, Nancy Petyarre, Violet Petyarre, Myrtle Petyarre who are all talented, sought-after indigenous artists.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cb\u003eKathleen’s paintings are related to her ancestral country and the dreaming’s passed down to her including women’s hunting, gathering of bush seeds, emu, dingo, and Thorny Devil Lizard\/Mountain Devil Lizard. Her sister's paintings of the Thorny Devil are related to the appearance of the lizard whereas Kathleen's paintings are related to the Lizards journey across her ancestral lands. \u003c\/b\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eKathleen was also a prominent Aboriginal activist who helped claim the freehold title of Utopia to the traditional owners in 1979. Sadly, Kathleen passed away in 2018.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eThis painting was purchased directly from Kathleen and a gallery certificate of authenticity will be provided with the sale.\u003c\/strong\u003e\u003c\/div\u003e","brand":"KATHLEEN PETYARRE","offers":[{"title":"Default Title","offer_id":66928805740589,"sku":null,"price":12000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/files\/KP496-2.jpg?v=1782460553"},{"product_id":"walangkura-napanangka-travels-of-kutungka-napanangka","title":"WALANGKURA NAPANANGKA - Travels of Kutungka Napanangka","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cb\u003eWALANGKURA NAPANANGKA\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cb\u003eTITLE: \u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eTRAVELS OF KUTUNGKA NAPANANGKA\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003eACRYLIC ON LINEN\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003e123CM X 100CM\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 10.5pt; color: #212b36;\"\u003eWALANGKURA HAS SIGNED THE PAINTING A WORKING PHOTOS WILL BE PROVIDED\u003c\/span\u003e\u003c\/strong\u003e\u003cb\u003e\u003cspan style=\"font-size: 10.5pt; mso-hansi-font-family: 'Times New Roman'; color: #212b36; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cb\u003eREF#WN499\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003eDOB: \u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; color: #212b36; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e(c1946-2014)\u003c\/span\u003e\u003cspan style=\"font-size: 10.5pt; mso-hansi-font-family: 'Times New Roman'; color: #212b36; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e \u003c\/span\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eTjitururrnga, Gibson Desert (NT–WA border)\u003c\/span\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cb\u003e    \u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e                                            Known as: Walangkura Napangka                                          \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSkin Name: Napanangka\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cb\u003eLanguage: \u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003ePintupi\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cb\u003eDreaming’s: \u003cspan lang=\"EN-US\"\u003eTravels of Kutungka Napanangka (ancestral woman's journey across sandhill and rockhole country) including Women's Ceremony, Hair-String Skirts, and Bush Tucker \u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Tunga',sans-serif; mso-ascii-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman';\"\u003e—\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e Desert Raisin (Kampurarrpa); Rockhole and Sandhill sites including Umari, Yunala, Malparingya, Ngartannga, Tjintjintjin, Lupul and Kurriuntu; and My Country\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eWalangkura Napanangka was born in the bush at Tjitururrnga, west of Kintore in the Gibson Desert, right on the border country between the Northern Territory and Western Australia. She belonged to the last generation of Pintupi people who really grew up in the desert walking with her family, living off the land, long before there was ever a settlement to go to.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAs a girl, she and her family walked hundreds of kilometres out of that remote country into the settlement of Haasts Bluff (Ikuntji), drawn in by the promise of food and water. It wasn't an easy shift, leaving the only life she knew for one that was completely unfamiliar. Her mother, Inyuwa Nampitjinpa, and her half-sister, Pirrmangka Napanangka (who passed away in 2001), made that same journey, and both went on to become painters too.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eWhen the outstation movement brought people back to their own country in 1981, Walangkura resettled at Kintore. It was there, in the mid-1990s, that she joined the historic women's collaborative canvas project a real turning point for the senior Pintupi women, painting together and reconnecting with ceremony and story on their own terms. Papunya Tula Artists took her on shortly after, and she became one of their most senior and respected women painters.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eIn her later years she lived between Kintore and Kiwirrkura with her husband and fellow artist, Johnny Yungut Tjupurrula, and their six children, until her passing in 2014.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eDreamings (Tjukurrpa)\u003c\/span\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHer main and most consistently cited Dreaming is the Travels of Kutungka Napanangka (also spelled Katungka) an ancestral woman who journeyed east from her homeland in the Gibson Desert, across sandhill country, to a series of rockhole and soakage sites south-west of Mt Liebig. Depending on which stretch of the journey a particular painting shows, it may be named for a specific site along the way places like Umari, Yunala, Malparingya, Ngartannga, Lupul, Kurriuntu, and Tjintjintjin all appear across her work.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAlongside this, many of her paintings depict Women's Ceremony gatherings of ancestral women at these same rockhole sites, tied to women's ceremonial business she carried as a senior law woman, where they sang, danced, made hair-string skirts, and gathered desert raisin (kampurarrpa) as part of ceremonial preparation.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eBecause Kutungka is a woman's Dreaming tied to restricted ceremonial knowledge, most sources are understandably light on detail beyond \"the travels of the ancestral woman\" that reflects normal cultural protocol around women's business, not a gap in the story.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eVisually, her work is instantly recognisable: dense fields of dotting in warm sandy oranges against deep reds, blacks and ochres, with the rockholes shown as concentric roundels and the surrounding sandhill country rendered in sweeping parallel lines.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: center;\"\u003e\u003cb\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSelected Exhibitions\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"font-weight: bold;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1997–2002 — Araluen Arts Centre, Alice Springs\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"font-weight: bold;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1998 — \u003ci\u003eSztuka Aborygenów\u003c\/i\u003e (Art of the Aborigines), Warsaw, Poland\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"font-weight: bold;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1999 — Flinders University Art Museum, Adelaide\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"font-weight: bold;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2000 — \u003ci\u003ePapunya Tula: Genesis and Genius\u003c\/i\u003e, Art Gallery of New South Wales, Sydney\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"font-weight: bold;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2000 — Galerie Bahr, Speyer, Germany\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"font-weight: bold;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2001 — \u003ci\u003eDreamscapes: Contemporary Desert Art\u003c\/i\u003e, Mostings Hus, Frederiksberg, Denmark\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"font-weight: bold;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2003 — \u003ci\u003eMythology and Reality\u003c\/i\u003e, S.H. Ervin Gallery, Sydney\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"font-weight: bold;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2005 — 22nd National Aboriginal \u0026amp; Torres Strait Islander Art Award (NATSIAA), Museum and Art Gallery of the Northern Territory, Darwin — finalist\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"font-weight: bold;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2005 — 1st Prize, Redlands Westpac Art Prize\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"font-weight: bold;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2010 — \u003ci\u003eCircles in the Sand: Aboriginal Art from Central Australia in the Kluge-Ruhe Collection\u003c\/i\u003e, Australian Embassy, Washington DC\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eA note on titles:\u003c\/span\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e You'll sometimes see the same or a very similar painting listed under different names across different galleries \"My Country,\" \"Women's Ceremony,\" \"Travels of Kutungka Napanangka,\" or a specific site name like \"Umari\" or \"Rockholes.\" A single painting can depict a rockhole site that belongs to the artist's own country (\"My Country\"), while also marking a place where women gathered for ceremony (\"Women's Ceremony\"), which may in turn sit along the path of an ancestral journey (\"Travels of Kutungka\"). The story, the ceremony, and the country are woven together rather than separate categories.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThis painting was purchased directly from Walangkura, and a gallery certificate of authenticity will be provided with the sale, along with working photos.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"WALANGKURA NAPANANGKA","offers":[{"title":"Default Title","offer_id":66988933709869,"sku":null,"price":16500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/files\/JP499-2.jpg?v=1783457606"},{"product_id":"makinti-napanangka-womens-ceremony","title":"MAKINTI NAPANANGKA - Women's Ceremony","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eMAKINTI NAPANANGKA\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e TITLE: WOMEN'S CEREMONY\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eACRYLIC ON CANVAS\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e95.5 CM X 145.5 CM\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eMAKINTI HAS SIGNED THE PAINTING AND A PHOTO WILL BE PROVIDED\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eREF#MN506\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eBorn: c. 1930 - 2011. Karrkurritinytja (Lake MacDonald), Western Desert Region\u003cbr\u003eLanguage: Pintupi\u003cbr\u003eCommunity: Kintore (Walungurru), Northern Territory\u003cbr\u003eDreamings: Kungka Kutjarra (Two Women), Lupulnga, Hair String, Body Paint (Women's Ceremony), Kuningka (Western Quoll)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eMakinti Napanangka was born around 1930 in the country around Karrkurritinytja, the great salt lake known to mapmakers as Lake MacDonald, where the Northern Territory gives way to Western Australia. It is old country, a pale sweep of salt and spinifex ringed by low tali sandhills that shift colour as the sun moves across them, and it holds the rockholes and ceremonial sites that Makinti carried with her for the rest of her life. She grew up living the traditional Pintupi way, and her first sight of white people came when she watched men travelling by camel near Lupul. In the early 1940s she walked in to Haasts Bluff with her family, long before Papunya was built. She later lived at Papunya, and settled at Kintore when that community was established.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHer painting life began late and moved quickly. She was one of the senior women who took part in the collaborative Haasts Bluff and Kintore women's painting project, a body of major canvases completed in 1994 and shown at the Tandanya National Aboriginal Cultural Institute in Adelaide. That project marked the point at which Pintupi women stepped forward as independent artists in the Western Desert movement, rather than working as helpers on paintings belonging to their husbands and brothers. In 1996 Makinti began painting for Papunya Tula Artists, alongside her cousin and painting companion Tatali Nangala, and she went on to become the most senior woman painting with the company as well as a shareholder and director of it.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eWhat set her apart was her hand. Where much Western Desert painting is built up through the patient placing of dots with a fine stick, Makinti worked with a loaded brush and a gestural sweep that came straight out of the way ochre is drawn across the body for women's ceremony. Her canvases are layered, thick with paint, alive with movement. Bands of pale line arc and twist across grounds of orange and ochre, lit up with bursts of pink, mauve and yellow. The effect is less a map of country than the feel of country, the rhythm of feet and song and skirts turning in the dust.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eRecognition came steadily. Australian Art Collector magazine named her one of Australia's 50 Most Collectable Artists three years running, in 2003, 2004 and 2005, and she was a repeated finalist in the National Aboriginal and Torres Strait Islander Art Award through that decade before taking out the top prize in 2008. By then her work was being acquired by every major public collection in the country, and Utopia Art Sydney's director had described her as the Central Desert's finest painter since Emily Kngwarreye, with no living match for her painterly freedom.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eTowards the end of her painting career Makinti's eyesight was failing, but it did not dampen her passion for painting. She would visit our family home, fondly called the farm, and ask for vibrant acrylic paints so she could take them home and later come back with her vivid, colourful canvases.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eMakinti passed away on 9 January 2011 at Alice Springs. Later that year she was posthumously appointed a Member of the Order of Australia (AM) in the Queen's Birthday Honours, recognised for her service to the arts as a contemporary Indigenous artist and for her role among the women painters of the Western Desert art movement.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eHER DREAMINGS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKungka Kutjarra (Two Women) \u003c\/span\u003e— The Two Ancestral Women travelled enormous distances across the desert in the creation time, hundreds of kilometres of it, stopping at rockholes, camping, gathering food and performing ceremony as they went. Their journey is one of the great shared stories of the Western Desert, sung and painted by Pintupi, Warlpiri and Pitjantjatjara people alike. Makinti painted the line of their travels and the ceremonies they left behind.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLupulnga\u003c\/span\u003e — A rockhole site south of Kintore, and the place most closely bound to Makinti's name. Water in this country is everything, and a rockhole is not simply a waterhole but a living site of law, ceremony and belonging. Seen from above, as so many desert artists see their country, the site sits within the pale ring of surrounding sandhills like the still centre of the whole landscape. It was an untitled painting of Lupulnga that won her the nation's top Indigenous art prize.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eHair String\u003c\/span\u003e — Pintupi women spin string from human hair and wear it as skirts and belts during ceremony, the loose strands swinging and lifting as they dance. The looping, flowing bands of colour running through Makinti's work are these skirts in motion. It is a subject she made entirely her own, until the twisting line became her signature.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBody Paint (Women's Ceremony) \u003c\/span\u003e— The designs painted onto women's bodies for ceremony, distilled down to their essential shapes and let loose across the canvas. Makinti did not so much depict these designs as perform them, using the same broad, confident sweep of the hand that lays ochre onto skin.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKuningka (Western Quoll) \u003c\/span\u003e— A small native carnivore of the desert country, now vanished from much of its old range. In Makinti's work it appears in the roundels and circles that sit among the flowing lines.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eAWARDS AND RECOGNITION\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e2011 Member of the Order of Australia (AM), Queen's Birthday Honours, awarded posthumously\u003cbr\u003e2010 Alice Prize, Alice Springs — Finalist\u003cbr\u003e2009 26th National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003cbr\u003e2008 25th National Aboriginal and Torres Strait Islander Art Award, Darwin — Winner, for an untitled painting of Lupulnga\u003cbr\u003e2004 Wynne Prize, Art Gallery of New South Wales — Finalist\u003cbr\u003e2003, 2004 and 2005 Named one of Australia's 50 Most Collectable Artists, Australian Art Collector magazine, three consecutive years\u003cbr\u003e2003 Clemenger Contemporary Art Award, National Gallery of Victoria — Finalist\u003cbr\u003e2003 20th National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003cbr\u003e1997, 1998, 2001, 2002 National Aboriginal and Torres Strait Islander Art Award, Darwin — Finalist\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eSELECTED EXHIBITIONS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003e1995 Minyma Tjukurrpa: Kintore and Haasts Bluff Canvas Project, Tandanya National Aboriginal Cultural Institute, Adelaide\u003cbr\u003e2000 Papunya Tula: Genesis and Genius, Art Gallery of New South Wales, Sydney\u003cbr\u003e2003 Emerge, Museum and Art Gallery of the Northern Territory, Darwin\u003cbr\u003e2003 Clemenger Contemporary Art Award, National Gallery of Victoria, Melbourne\u003cbr\u003e2005 to 2006 Luminous: Contemporary Art from the Australian Desert, touring regional galleries in New South Wales, Victoria and South Australia\u003cbr\u003e2012 18th Biennale of Sydney, All Our Relations\u003cbr\u003e2012 Ancestral Modern: Australian Aboriginal Art from the Kaplan and Levi Collection, Seattle Art Museum, USA\u003cbr\u003e2013 Crossing Cultures: The Owen and Wagner Collection of Contemporary Aboriginal Australian Art, Toledo Museum of Art, USA\u003cbr\u003e2015 Tarnanthi: Festival of Contemporary Aboriginal and Torres Strait Islander Art, Art Gallery of South Australia, Adelaide\u003cbr\u003e2016 Artist's Hand, Collectors' Eye: The Angel Gift, National Gallery of Victoria, Melbourne\u003cbr\u003e2019 Borrowed Scenery, Campbelltown Arts Centre, Sydney\u003cbr\u003e2021 Papunya Tula: 50 Years, S.H. Ervin Gallery, Sydney\u003cbr\u003e2022 Irrititja Kuwarri Tjungu: Past and Present Together, Kluge-Ruhe Aboriginal Art Collection, University of Virginia, USA\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eNational Gallery of Australia, Canberra\u003cbr\u003eArt Gallery of New South Wales, Sydney\u003cbr\u003eNational Gallery of Victoria, Melbourne\u003cbr\u003eQueensland Art Gallery and Gallery of Modern Art, Brisbane\u003cbr\u003eMuseum and Art Gallery of the Northern Territory, Darwin\u003cbr\u003eUniversity of Melbourne Art Collection\u003cbr\u003eSeattle Art Museum, USA\u003cbr\u003eHood Museum of Art, Dartmouth College, USA\u003cbr\u003eKluge-Ruhe Aboriginal Art Collection, University of Virginia, USA\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-hansi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU;\"\u003eThis painting was purchased directly from Makinti, and a gallery certificate of authenticity will be provided with the sale.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Altyerre Aboriginal Art","offers":[{"title":"Default Title","offer_id":67385948373037,"sku":null,"price":16500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0357\/9130\/6797\/files\/MN506-8.jpg?v=1787283954"}],"url":"https:\/\/altyerre.com.au\/collections\/artwork-more-than-7000.oembed?page=3","provider":"Altyerre Aboriginal Art","version":"1.0","type":"link"}